#^d 2014-11-10
#^h Music Week
Music: Current count 23996 [23966] rated (+30), 531 [540] unrated (-9).
Thought the odds I might cross the 24000 rated level this week were
pretty good, but despite a fairly productive week I fell a bit short.
Next week for sure. Probably not tonight. Most likely tomorrow. Just
a number, and in some ways a rather low one. I recall talking to John
Rockwell back in the 1970s when he had twenty-some thousand LPs in his
collection. If he only had the pedestrian habit of keeping lists and
jotting down grades, he could have well over 100,000 by now. I only
started doing this as an aide de memoire in the 1990s, when I had
about 3000 LPs and less than a thousand CDs. However, as so often
happens when you start to measure something, it takes on a life of
its own. I doubt Cap Anson had any clue that he had 3000 hits, nor
that Sam Crawford realized he retired just short (2961). Al Kaline
was conscious enough of his stats that he hung on to get 3007 hits,
but I remember him saying that had he realized that 400 home runs
would have put him into one of those exclusive clubs, he would
have hit more. (He wound up with 399.)
Didn't get any new records this past week -- the three listed
below came today, and two of those have 2015 release dates. I've
had to open 2015 files, not that there is anything interesting
in them yet. The 2014
metafile is currently up to
2615 records (807 rated or owned). I worked a little on it last
week, mostly trying to fill in some missing jazz records -- that
led me to Smoke Sessions, a generally good mainstream label (if
that's your bag).
The Jinx Lennon records are on
Bandcamp. Liam Smith
is a fan, and he turned Robert Christgau onto them, resulting in
last week's
Expert Witness. I (more or less) agree, although I'll add that
I didn't find Lennon's outrage either comforting or cathartic. I
just find so much of what's happening today to be sad and pathetic --
not least because it wouldn't take much intelligence, sensitivity,
and good will to come up with very different outcomes.
I didn't
tweet about the
Jinx Lennon albums, mostly because my own longer write-ups aren't
very coherent. Ideally, I'd take another run at the writing (if
not the albums) before Rhapsody Streamnotes posts (probably next
week rather than this, although I currently have 56 reviews in
the draft file).
New records rated this week:
- Greg Abate Quartet: Motif (2014, Whaling City Sound): alto saxophonist with mainstream quartet leaning bebop, plays fast, brilliant sound, jumps right out [cd]: A-
- Allison Au Quartet: The Sky Was Pale Blue, Then Grey (2012 [2014], self-released): Toronto group, alto sax-piano-bass-drums, moody postbop with spoken word [cd]: B+(**)
- Otis Brown III: The Thought of You (2014, Blue Note): drummer, would like to break out if not cross over, but gets comflicting advice/help [r]: B
- Kevin Conlon/The Groove Rebellion: In Transit (2014, Blujazz): bassist-crooner, the guitar-bass-drums groove more swing than funk, nice sax too [cd]: B+(*)
- Farmers by Nature: Love and Ghosts (2011 [2014], AUM Fidelity, 2CD): piano trio -- Gerald Cleaver, William Parker, Craig Taborn -- my how Taborn has grown! [r]: A-
- Jean Luc Fillon: Oboman Plays Cole Porter: Begin the Night . . . (2013 [2014], Soupir Editions): along with Pianoman and Violaman, a nice little chamber jazz trio, actually too nice [cd]: B
- Brad Goode Quartet: Montezuma (2013 [2014], Origin): trumpet quartet, elegant, spacious with knots of tension, poised for the trumpet to break through [cd]: B+(**)
- Vincent Herring: Uptown Shuffle (2014, Smoke Sessions): alto saxophonist, leading a very mainstream quartet (Chestnut, Farnsworth), runs a little hot [r]: B+(**)
- Eric Hofbauer Quintet: Prehistoric Jazz Volume 1: The Rite of Spring (2014, Creative Nation Music): Stravinsky for jazz quintet, the classical lurch modern and campy, the guitar sweet [cd]: B+(***)
- Eric Hofbauer Quintet: Prehistoric Jazz Volume 2: Quintet for the End of Time (2014, Creative Nation Music): Messiaen for jazz quintet, focus cello but interesting when chaos breaks [cd]: B+(**)
- Will Holshouser/Matt Munister/Marcus Rojas: Introducing Musette Explosion (2014, Aviary): accordion-guitar-tuba for folkish, semipop jazz [cd]: B+(**)
- Javon Jackson: Expression (2014, Smoke Sessions): tenor saxophonist goes back to basics with a straightforward quartet, notably Orrin Evans on piano [r]: B+(*)
- Jonathan Kreisberg: Wave Upon Wave (2014, New for Now Music): guitar jazz that doesn't break out of the Montgomery mode, always a comfort zone [cd]: B+(*)
- Harold Mabern: Right on Time (2014, Smoke Sessions): veteran postbop pianist, never quite lost his Memphis roots, plays a trio with Webber/Farnsworth [r]: B+(*)
- Michael Mantler: The Jazz Composer's Orchestra Update (2013 [2014], ECM): scores from JCOA's 1960s heyday, but outsourced to cost-effective pros [dl]: B
- Delfeayo Marsalis: The Last Southern Gentlemen (2014, Troubadour Jass): trombonist leads piano-bass-drums through genteel, sombre, charming standards [cd]: B+(***)
- Ross Martin/Max Johnson/Jeff Davis: Big Eyed Rabbit (2014, Not Two): guitar-bass-drums, didn't know the guitarist, and still don't [r]: B
- Bette Midler: It's the Girls! (2014, East/West): girl group repertoire, great songs done respectably, but didn't she used to be a bit subversive? [r]: B
- Miho Nobuzane: Simple Words: Jazz Loves Brazil (2014, self-released): Japanese pianist, picks up a Brazilian band in Brooklyn, get the vibe right [cd]: B+(*)
- O'Death: Out of Hands We Go (2014, Northern Spy): Brooklyn alt-rock band with a bit of Irish, mostly filtered through folkies like Dock Boggs [r]: B+(***)
- Clarence Penn & Penn Station: Monk: The Lost Files (2012 [2014], Origin): drummer-led sax quartet, ten Monk tunes, one never tires of hearing them [cd]: B+(*)
- Doug Seegers: Going Down to the River (2014, Rounder): honky tonker, fell through cracks of Nashville, discovered by a Swedish tourist [r]: A-
- The Spin Quartet: In Circles (2013 [2014], Origin): postbop, trumpet-tenor sax-bass-drums, all names you don't know with own albums but stronger together [cd]: B+(**)
- Vince Staples: Hell Can Wait (2014, Def Jam, EP): west coast rapper with some mixtapes, got a label now but only a seven-song, 23:30 EP budget [r]: B+(*)
- Touch and Go Sextet: Live at the Novara Jazz Festival (2012 [2014], Nine Winds): Lisa Mezzacappa (bass) and Vijay Anderson (drums) stir up four horn leads [cd]: B+(***)
- Ernie Watts Quartet: A Simple Truth (2013 [2014], Flying Dolphin): tenor saxophonist, always recognizable, and still able to sprint through "Bebop" [r]: B+(**)
Old records rated this week:
- Jinx Lennon: Live at the Spirit Store (2000, Septic Tiger): [bc]: B+(*)
- Jinx Lennon: 30 Beacons of Light for a Land Full of Spite, Thugs, Drug Slugs and Energy Vampires (2002, Septic Tiger): [bc]: B+(**)
- Jinx Lennon: Know Your Station Gouger Nation!!! (2006, Septic Tiger): [bc]: A-
- Jinx Lennon: Trauma Themes Idiot Times (2009, Septic Tiger): [r]: A-
- Jinx Lennon: National Cancer Strategy (2010, Septic Tiger): [bc]: B+(***)
- Bette Midler: Live at Last (1977, Atlantic): [r]: B+(*)
Unpacking: Found in the mail last week:
- Ballister: Worse for the Wear (Aerophonic): January 6
- Michel Lambert: Journal des Épisodes II (Jazz From Rant): November 18
- Nate Wooley/Dave Rempis/Pascal Niggenkemper/Chris Corsano: From Wolves to Whales (Aerophonic): January 6