#^d 2014-11-17
#^h Music Week
Music: Current count 24030 [23996] rated (+34), 527 [531] unrated (-4).
Rated count topped 24,000 this week. It passed 23,000 the week of
March 24, 2014, a bit less than eight months ago. That probably means
June-July, 2015 for 25,000, although I wouldn't be surprised if I
started to slow down. New records are down at least a hundred this
year.
Francis Davis has arranged with NPR to keep his Jazz Critics Poll
going for another year. Ballots have been sent out, and I have one.
Even though I've listened to close to 500 new jazz albums this year,
I have virtually no idea who the leading candidates are this year,
let alone who will win. I barely even have a sense of who I might
vote for, and that's after I went to the trouble to split out my
2014-in-progress file into two
more presentable year-end lists: one for
Jazz and another for
Non-Jazz. Each
picks up (at least initially) the text and cover scan from Rhapsody
Streamnotes. As I was doing this, the first thing that occurred to
me was my haphazard insertions into the list throughout the year
are far from adding up to a sort. Before I declare anything even
tentatively official -- the Jazz Critics Poll deadline is December
7 -- I expect to do a lot of resorting.
I still need to do quite a bit of work on the files. I'll
probably reorganize them to reflect Davis' revised rules on
reissue/historical. (I've moved a couple records over, but not
all of them.) I also need to go back and dig up December (or
post-Thanksgiving) 2013 releases, since they weren't available
early enough for last year's premature ballots). Then there
is the "prospect" list in the notes: technically, any record
I'm aware of existing that I think might have a 2% (or greater)
chance of panning out into an A-list release. This involves
looking at the
prospect file and various
other resources.
Much more unpacking than usual this week, but nothing I'm
especially looking forward to. (It occurs to me that David
Friesen must be one of the best-regarded jazz musicians I've
never listened to an album by, and now I got a double. Only
four more names strike me as familiar, and they're not all
that memorable.)
By the way, the Fred McDowell album popped up as a new digital
dump, but I cited the older CD. I found the Ross Johnson set when
I was looking for something newer (though probably still old) by
him, and got curious.
The draft file for Rhapsody Streamnotes has about 80 records
in it now. I expect I'll post it later this week, then probably
do two in December as the 2014 year-end lists appear. (I will
say that the two leading candidates there are St. Vincent and
War on Drugs, and while neither made my A-list, neither is
totally undeserving either.)
New records rated this week:
- Omer Avital: New Song (2014, Motéma): bassist's generic Middle Eastern grooves plus horns (Avishai Cohen, Joel Frahm), as if that's all it takes [r]: B+(*)
- Azealia Banks: Broke With Expensive Taste (2014, Prospect Park): young rapper lives fast, offers her take on her corner of the human condition [r]: B+(***)
- Batida: Dois (2014, Soundway): Angolan-Portuguese DJ project, with post-African beats, electronica blips, international hip-hop raps and samples [r]: B+(**)
- Freddy Cole: Singing the Blues (2014, High Note): not really a blues guy but he knows from "sad young men," and saxophonist Harry Allen helps [cd]: B+(**)
- Chick Corea Trio: Trilogy (2010-12 [2014], Concord, 3CD): 3 discs of piano trio from 3 years of touring, a fine pianist when his head's not fused or lost [r]: B+(***)
- Tara Davidson: Duets (2014, Addo): alto/soprano saxophonist cycles through various duet partners -- piano, guitar, bass, other saxophonits [cd]: B+(**)
- Ex Cops: Daggers (2014, Downtown): feigned punk, but Amalie Bruun offers more pop aura than expected [r]: B+(*)
- Marianne Faithfull: Give My Love to London (2014, Easy Sound): recruits an odd assortment of songwriters, but none measure up to Hoagy Carmichael [r]: B+(*)
- Ananda Gari: T-Duality (2013 [2014], Auand): Italian drummer gets his name of a merely average Tim Berne-Rez Abbasi-Michael Formanek album [r]: B+(**)
- Darius Jones: The Oversoul Manual (2014, AUM Fidelity): puts down his sax to conduct a quartet of operatic female voices through some bs mythology [r]: B-
- Thomas Marriott: Urban Folklore (2013 [2014], Origin): Seattle trumpet player moving up in the world -- at least getting a world-class rhythm section [cd]: B+(*)
- Tony Monaco: Furry Slippers (2014, Summit): Hammond B-3 groove merchant adds guitarist Fareed Haque, but settles for ballads in the end [cd]: B
- Parquet Courts: Parkay Quarts: Content Nausea (2014, What's Your Rupture?): another throwaway EP, but their post-Velvets drone isn't wasted on shlock; it thrives there [r]: A-
- Rex Richardson & Steve Wilson: Blue Shift (2014, Summit): saxophonist as solid as ever, but Richardson's trumpet should turn some ears [cd]: B+(***)
- Ryan Shultz Quintet: Hair Dryers (2013 [2014], Origin): bass trumpet adds a note of gravity (and distinction) to a fusion-inclined group [cd]: B+(*)
- Tyshawn Sorey: Alloy (2014, Pi): drummer-led piano trio with Corey Smythe and Christopher Tordini, mostly ambles aleatorically [cd]: B+(***)
- Lyn Stanley: Potions: From the 50's (2014, A.T. Music): from the 1950s, including "Love Potion #9" but tending toward pre-rock, somehow missing ole black magic [cd]: B+(**)
- Aki Takase/Alexander von Schlippenbach: So Long, Eric!: Homage to Eric Dolphy (2014, Intakt): German avant big band, led by two pianists, recalls nine Dolphy tunes [r]: B+(***)
- T.I.: Paperwork (2014, Grand Hustle): enough with the gangsta shit, especially when all it takes to sell out is to hire Pharrell for some wack hooks [r]: B+(**)
- Marlene VerPlanck: I Give Up, I'm in Love (2014, Audiophile): octogenarian songbird sings standards, both big band and small swing impeccable [cd]: A-
- Jason Yeager Trio: Affirmation (2014, Inner Circle Music): piano trio helped by guests -- Noah Preminger looms large, but the singer is stuck with "Julia" [cd]: B
- Peter Zak Trio: The Disciple (2013 [2014], Steeplechase): smart pianist, covers the greats (Monk & Silver are the standouts), writes originals that fit [cd]: B+(***)
Recent reissues, compilations, and vault discoveries rated this week:
- Hailu Mergia and the Walias: Tche Belew (1977 [2014], Awesome Tapes From Africa): Ethiopian keyboardist spins enchanting, slightly cocktail-ish grooves, charming [r]: A-
Old records rated this week:
- Ross Johnson: Make It Stop: The Most of Ross Johnson (1979-2006 [2008], Goner): Alex Chilton sideman's collected jokes, pranks, rockabilly primitivism [r]: B+(***)
- Fred McDowell: Amazing Grace (1966 [1994], Shout!/Testament): blues primitive goes to church, finds Hunter's Chapel Singers, puts his guitar at their service [r]: A-
Grade changes:
- Jerry Lee Lewis: The Knox Phillips Sessions: The Unreleased Recordings (1970s, Time-Life): [was B+(**)] A-
Unpacking: Found in the mail last week:
- Malonie Carre: Forever (self-released)
- Ron Di Salvio: Songs for Jazz Legends (Blujazz)
- David Friesen Circle 3 Trio: Where the Light Fails (Origin, 2CD): November 17
- Polly Gibbons: Many Faces of Love (Resonance, CD+DVD): February 3
- Danny Green Trio: After the Calm (OA2): November 17
- Maggie Herron: Good Thing (self-released)
- Anthony Jefferson: But Beautiful (self-released)
- Paul Jones: Short History (Blujazz)
- Collette Michaan: Incarnate/Encarna (self-released): December 2
- Jim Norton Collective: Time Remembered: Compositions of Bill Evans (Origin): November 17
- Old Style Sextet (Blujazz)
- Rich Pellegrin Quintet: Episodes IV-VI (OA2): November 17
- Sonya Perkins: Dream a Little Dream (self-released)
- Diane Roblin: Reconnect (self-released)
- Joanne Tatham: Out of My Dreams (Cafe Pacific): December 2
- Piet Verbist/Zygomatik: Cattitude (Origin): November 17