#^d 2015-01-05
#^h Music Week
Music: Current count 24286 [24247] rated (+39), 505 [509] unrated (-4).
A bit out of sync here, having closed the count last night but adding
two incoming discs today -- otherwise last week was pretty barren at the
mailbox. Actually, I could have posted this early, but what's held me
back was stuffing the
EOY aggregate list -- now
up to 310 lists, 3470 new records, 524 reissues/comps/vault jobs. I'm
getting close to wrapping that up -- the last step is usually to fold
in the Village Voice's Pazz & Jop album results, or Christgau's
Dean's List, whichever comes last. I've picked up some more jazz lists,
including the
Jazz
Critics Poll (down to 150), and I've also picked up a cluster
of lists from the Christgau-focused Expert Witness group -- close
to two dozen ballots to Odyshape's Expert Witness Pazz & Jop
album poll (see below), plus some longer lists from that direction
(including 150 albums from Jason Gubbels). The top twenty albums in
Odyshape's poll, followed by their bump in my aggregate file:
- Wussy, Attica!: +30 (9 to 39), 254th place to 67th
- Withered Hand, New Gods: +21 (9 to 30), 253 to 93
- Miranda Lambert, Platinum: +38 (36 to 74), 54 to 26
- Old 97's, Most Messed Up: +23 (8 to 31), 278 to 83
- Drive-By Truckers, English Oceans: +15 (11 to 26), 202 to 106
- Lily Allen, Sheezus: +13 (4 to 17), 456 to 167
- Azealia Banks, Broke With Expensive Taste: +27 (44 to 71), 38 to 28
- Parquet Courts, Sunbathing Animal: +33 (44 to 77), 39 to 25
- D'Angelo and the Vanguard, Black Messiah: +41 (13 to 54), 171 to 42
- Angaleena Presley, American Middle Class: +14 (16 to 30), 137 to 91
- Young Thug & Bloody Jay, Black Portland: +17 (14 to 31), 169 to 86
- Tune-Yards, Nikki-Nack: +19 (33 to 52), 64 to 46
- Toni Braxton & Babyface, Love, Marriage & Divorce: +12 (12 to 24), 185 to 116
- Jason Derulo: Talk Dirty: +10 (4 to 14), 497 to 204
- Run the Jewels 2: +63 (150 to 213), 4 to 3
- Taylor Swift, 1989: +23 (71 to 94), 21 to 19
- Jenny Lewis, The Voyager: +21 (47 to 68), 34 to 32
- Against Me!, Transgender Dysphoria Blues: +22 (42 to 64), 43 to 34
- Spoon, They Want My Soul: +33 (81 to 114), 18 to 13
- Sisyphus: +4 (3 to 7), 790 to 422
The EW voters aren't the only factor here: Run the Jewels has been
gaining ground steadily for several weeks, and D'Angelo has picked up
speed after a very late start. Nor is their (or should I say our?)
representation untoward: I expect that close to two dozen critics
will vote in both Odyshape and Village Voice polls, so if they/we
weren't counted here, that would introduce a skew there. Even so,
it's likely that a dozen or more of this list of twenty will place
higher in P&J than in my aggregate.
There's probably a lot more interesting data that could be mined
from the aggregate chart, but the one thing I want to point out here
is that the top four have narrowed: the points are 236-223-213-205
(with Run the Jewels passing St. Vincent). Fifth place Caribou is
down at 159, followed by 152, 144 (twice), 138, and 125. Usually at
this point the top few slots are spreading out, so this is about as
close a top bunch as you'll ever see.
Recommended music links:
New records rated this week:
- Alvvays (2014, Polyvinyl): Toronto alt-rock group, gets pop kudos for singer Molly Rankin plus a good dea of jangle mixed in with the guitars [r]: B+(*)
- Basement Jaxx: Junto (2014, Atlantic Jaxx): had big albums c. 2000, but steady streaming product now; they do know how to keep a dance beat running [r]: B+(**)
- Mary J. Blige: The London Sessions (2014, Capitol): a real pro r&b singer, past her angst, past her divadom, gets guests and passes them too [r]: B+(***)
- Benjamin Booker: Benjamin Booker (2014, ATO): no bluesman, a rocker so straight up he cites Jack White, but actually is fuzzier, crankier, grungier [r]: B+(***)
- Peter Brendler: Outside the Line (2014, Posi-Tone): bassist-led two-horn quartet, Rich Perry on the inside, Peter Evans quantum leaping outside [r]: B+(***)
- Hollie Cook: Twice (2014, Mr. Bongo): reggae spawn of Sex Pistols, Culture Club, and Slits may or may not aim for minisculism but hits it [r]: B+(*)
- Ian William Craig: A Turn of Braeth (2014, Recital): trained as an opera singer, makes lovely abstract music with tape loops of voice samples [r]: B+(*)
- Chet Faker: Built on Glass (2014, Downtown): Australian singer-songwriter/electronica producer, crafts songs as tidy as Beck, but less pat [r]: B+(**)
- Bunji Garlin: Differentology (2014, RCA/VP): soca star from Trinidad, favors hard ragga over lilting calypso, works sometimes, can be too much [r]: B+(**)
- Polly Gibbons: Many Faces of Love (2014 [2015], Resonance): Brit standards singer's US debut packaged like a big deal with DVD, but same old same old [cd]: B+(*)
- GOAT: Commune (2014, Sub Pop): Swedish band appropriates world musics but won't get nailed down to tribal specifics, prefer feeding their amps [r]: A-
- Leela James: Fall for You (2014, J&T): a soul singer for today, neither retro nor nu, just at ease working out problems of everyday life [r]: B+(***)
- Luke James: Luke James (2014, Island): R&B singer from New Orleans, takes sweet time connecting until his falsetto flares to the heavens on the single [r]: B+(**)
- Jungle: Jungle (2014, XL): indulging all the usual stereotypes, a Brit Earth Wind & Fire -- falsettos less fluid, beats a bit grimey [r]: B+(**)
- Nikola Kolodziejczyk Orchestra: Chord Nation (2011 [2014], Fortune): Polish big band plus extra reeds and strings, snappy as many more I could name [cd]: B+(**)
- Lee Scratch Perry: Back on the Controls (2011-13 [2014], Upsetter Music, 2CD): seems to have forgotten that the producer's job is to mint hits, so doubles down on the dub [r]: A-
- Adam Pieronczyk Quartet: El Buscador (2008 [2010], Jazzwerkstatt): Poland's premier tenor saxophonist, flanked by Adrian Mears' trombone, with Latin tinge [r]: B+(***)
- Adam Pieronczyk Quartet: A-Trane Nights (2008-09 [2014], Fortune): same group, same dynamic, but only one night on my promo -- where's disc 2 [cdr]: B+(***)
- Adam Pieronczyk: The Planet of Eternal Life (2013 [2014], Jazzwerkstatt): solo soprano sax, easy on the ears when played this methodically, but, you know [r]: B+(**)
- Quraishi: Mountain Melodies (2014, Evergreene Music): an Afghan rubab master, his instrument a poor cousin to the sitar, makes something out of poverty [r]: B+(**)
- John Schooley: The Man Who Rode the Mule Around the World (2014, Voodoo Rhythm): old-timey banjo shrouded with real metal machine music [r]: B+(**)
- Shamir: Northtown (2014, Godmode, EP): 5-cut, 19:58 EP for a very young soul man, growing up way too fast [r]: B+(*)
- Sonny Simmons & Moksha Samnyasin: Nomadic (2011 [2014], Svart): alto sax blows way over French sitar-bass-drums trio's exotic but sturdy rhythm [r]: B+(***)
- Sly & Robbie: Underwater Dub (2014, Groove Attack): dub stripped down to bare basics, just beats/accents/echoes, but in such hands who needs more? [r]: B+(***)
- Sly & Robbie: Dubrising (2014, Taxi): but if you do want more, this adds vocals on timeless topics like war and the effects shoot up the sky [r]: A-
- Betty Who: Take Me When You Go (2014, RCA): Aussie teen-pop starlet hits the fast ones just fine but has a little trouble with the ballad [r]: B+(*)
- Ksawery Wojcinski: The Soul (2013 [2014], Fortune): bassist turned one-man-band, singer too, ending with a gorgeous bit of gospel chorus [cd]: B+(***)
Recent reissues, compilations, and vault discoveries rated this
week:
- Bring It On Home: Black America Sings Sam Cooke (1959-76 [2014], Ace): Trayvon Martin wasn't the first killed by a confused/stupid white with a gun [cd]: A-
- Chris Butler: Easy Life (1970 [2014], Future Fossil): in fact, confused/stupid armed whites with guns have been known to kill their own, like in Kent OH 1970 [bc]: A-
- Chubby Jackson Big Band: New York City 1949: Ooh, What an Outfit! (1949 [2014], Uptown, 2CD): big band will swing or bop, whichever's fastest/hardest [r]: B+(***)
- Bill Jennings: Architect of Soul Jazz: The Complete Early Recordings 1951-1957 (1951-57 [2014], Fresh Sound): guitarist's early combos, with singers, honkers, organ players, a vibraphonist [r]: B+(**)
- Peru Bravo: Funk, Soul & Psych From Peru's Radical Decade (1968-74 [2014], Tiger's Milk): or the real garage bands of Lima learn to play "Hey Joe" [r]: B+(*)
- Junior Wells: Southside Blues Jam (1969-70 [2014], Delmark): near-classic Chicago blues with Buddy Guy and Otis Spann, but a little short on jam [r]: B+(***)
- Wilco: What's Your 20? Essential Tracks 1994-2014 (1994-2014 [2014], Nonesuch, 2CD): can't recall any of these 38 tunes, nor did I mind hearing any, nor will I soon [r]: A-
Old records rated this week:
- Raiders of the Lost Dub (1981, Mango): dub never did Black Uhuru any favors, but this early Sly & Robbie effort puts them into the flow [r]: B+(**)
- Arthur Russell: World of Echo (1986, Audika): [r]: B+(**)
Grade changes:
- Billy Joe Shaver: Long in the Tooth (2014, Lightning Rod): [was B+(**)] A-
Unpacking: Found in the mail last week:
- Jovan Alexandre: Collective Consciousness (Xippi): February 24
- Rudresh Mahanthappa: Bird Calls (ACT): February 10
- Mark Wade Trio: Event Horizon (self-released): February 17