|
|
|
|
|
Music: Current count 25154 [25120] rated (+34), 457 [462] unrated (-5).
Came back from my trip exhausted, and if anything grew wearier over the course of the week. Unpacking has been slow, and while I managed to catalog all the waiting CDs last week I still have a pile of snail mail to read (or otherwise dispose of). I did at least start to get back into a music routine, at least until disaster struck. I've been using a recycled Linux machine for streaming music, downloading PR links, playing DVDs, and occasionally checking up on Facebook. I've kept this machine rigorously up to date, so when I got back there were a huge number of software updates ready. I started to install them while I was streaming something, and a few minutes later the machine crashed with a kernel panic. It seemed to reboot, but a few minutes later froze up, with I/O errors on the console. Repeated attempts merely shortened the time to freeze. At the very least the software installation has been left in an inconsistent state. Also possible that the disk drive is malfunctioning.
I had another (not-so-good) computer setup for streaming, so the main effect of losing the machine was that I lost all of the download music I had received over the last six months -- mostly from ECM and Cuneiform, since I don't bother with most other links that come my way. They're always a pain, and I had been slow at dealing with them anyway, so I was well behind reporting on them. Also, ECM's links are time-limited, and I think Cuneiform's are locked against multiple downloads. And going forward, my methodology for downloading them is broken, so that's something else to bother with. In the long run I'll probably be able to recover the lost data by mounting the disk on a working machine, but that's also in principle true of the previous "media machine" that crashed in 2014 and is still sitting on the sidelines. (It ran Windows Vista, and was similarly corrupted by a software update. My understanding is that I can fix the corruption if I can find the original installation discs, but thus far I haven't found them. If/when I give up on that search I can still try to mount the discs on a Linux system and scrounge around for useful data, but that hasn't been much of a priority.)
Meanwhile, the new streaming setup is the one I used on the road: a Toshiba Chromebook and Bose MiniLink Bluetooth speakers. The latter, even when they're working properly, are much inferior to the Klipsch computer speakers on the "media machine," which are in turn much inferior to the B&O speakers on my now aged stereo system. (The speakers and the Yamaha receiver are close to 30 years old.) But it turns out that the Bose speakers rarely work right: the bluetooth connection often fails, and the auxiliary connection -- a direct wire with stereo jacks from the computer to the speakers -- has a really weird effect that I'll explain below. (It's quite possible that both of these problems are the fault of the Toshiba, which among other things has very little in the way of diagnostic tools.) The upshot is that I've had to fall back on the Toshiba's built-in speaker, lame and tinny as you'd expect. That possibly puts the streamed records at a disadvantage, even more than usual. Factor that in if you like, but looking at the grade list below I suspect I've already done so.
The weird effect? When I streamed Frank Lacy's Mingus Sings I was surprised to find that the record had virtually no vocals -- maybe some vocal rumbling submerged in the background. I was mostly streaming jazz and hadn't noticed much amiss, but when I switched to Boz Scaggs' A Fool to Care again the vocals were buried, leaving a lushly attractive guitar groove album. OK, I thought. The Leonard Cohen showed evidence of background vocals but no Cohen, and that, too, had some appeal. I didn't pull the plug until I got to Kacey Musgraves and thought her doing an instrumental album was just too bizarre. And when I pulled the plug, her voice popped right up -- on the Toshiba's built-in speaker.
Evidently there is such a thing as a "vocal eliminator" filter, which is used to create karaoke versions from standard stereo. How such a thing got into the Bose and/or the Toshiba beats me. (The bluetooth path to the Bose speakers didn't filter out the vocals, so it was only the wired connection. The Toshiba manual describes the jack as "headphone/microphone" but when I plug the Bose in it is recognized as a headphone, and I can't find any more audio controls. Just spent an hour researching and testing this and I know nothing more than I did.)
After discovering this glitch, I went back and relistened to about ten albums. Oddly enough, I wound up grading the Lacy and Hollenbeck albums down. The others didn't move much, although the vocals are certainly a plus for Scaggs, Cohen, and Musgraves. The filter had also knocked Joshua Redman's sax out of the Bad Plus album, but that was neither much of a loss or gain. Could be that I've misheard more of the [r] albums below, so take them with more than the usual grain of salt. (I think the list that I didn't recheck was: Blanchard, Davis, Diehl, Garzone, Glasper, Hazeltine, Herring, Hunter, Jamal, Johnson, Skydive Trio; most were probably heard accurately enough. I didn't notice a problem with the old [r] records -- Bragg, Uncle Tupelo, Wilco -- so the problem must have occurred after I heard several of the above jazz records. I did recheck Silk Degrees, which improved a lot.)
I should probably add a note on the two A- records this week. I've given Rent Romus and Michael McNeill A- grades in the past, and gave these two records more than the usual fair chance -- McNeill probably wound up with eight or more plays. Both have corresponded with me -- McNeill even weirded me out when he said he'd check out Vijay Iyer on my recommendation. Could it be that I'm softening up and playing favorites? I'll stick with them: in fact, the clincher for McNeill was that I want to hear the album again.
By the way, Devin Gray, Max Johnson, and Skydive Trio were recommended by Chris Monsen on his Fave Jazz of 2015 mid-year list: 3 of the 9 records I hadn't heard, all good ones. Of the other B+(***) albums, the one I'd definitely spin again if I had the CD is Warren Vaché's. Scaggs and Cohen were hinted at in Christgau's parting missive (as well as the Nelson-Haggard album I like, and "giant sand/springsteen/bishop" -- I'd guess the latter is Elvin's Can't Even Do Wrong Right, which is as right as he's gotten in a long time, but I have no idea about the others).
I may get around to Rhapsody Streamnotes near the end of the week. Certainly by the end of the month.
New records rated this week:
Recent reissues, compilations, and vault discoveries rated this week:
Old records rated this week:
Unpacking: Found in the mail last week: