#^d 2017-05-01
#^h Music Week
Music: Current count 28096 [28064] rated (+32), 396 [397] unrated (-1).
Most of what's listed below appeared in Saturday's
Streamnotes, so old news
there. I made a last minute stab at checking out some 2017 non-jazz
releases, and continued that after the column posted. No additional
A-list albums after the column, but Body Count's Bloodlust
came close -- actually a remarkable album, just one I didn't want to
give the extra spins that probably would have moved it over the A-
cusp. Ardor & Zeal is a bit less in every respect, including a
bit less irritating to a metal-phobe like myself. For Christgau on
those two records, look
here.
Christgau also praised the new
Brad Paisley record, the biggest flop of four (I think) overrated
full-A records he's found this year (Jens Lekman, New Pornographers,
Khalid -- OK, I gave the latter an A-, the others high B+). I like
Paisley in small doses, but he never seems to approach album-length
without wearing out his welcome, either because his Nashville rock
gets boring or because he says something stupid (often both, like
here). After grading, I read a bunch of Facebook comments on Bob's
review, and it seemed like quite a few were closer to my position.
On the other hand, I don't have any non-jazz this year remotely
close to full-A: the non-jazz set of the
2017 list-in-progress are (with
Christgau grades where known): Orchestra Baobab (A-), Run the Jewels
(A-), XX, Jesca Hoop, Kendrick Lamar, Tinariwen (**), Craig Finn (B+),
Conor Oberst (A-), Syd (A-), Arto Lindsay, Matt North (A-), Angaleena
Presley (A-), Colin Stetson, Khalid (A-). (I normally count Stetson
as jazz -- he's a saxophonist -- but he crossed over into post-rock
and that's where pretty much all of his critic/fan bases are.) That's
14 records, vs. 22 jazz records (38.9% non-jazz), actually not far
from what I had before the EOY lists started rolling in last year.
But before last week's 5-0 the split was 9-to-22 (29.0% non-jazz),
so I was right to shift focus. I'd do a better job of keeping up
if more people I trusted wrote more often. Maybe we'll see some
4-month lists soon.
As you may have noticed, I bumped up the grade on Stanley Cowell's
Departure #2. I was on the fence at the time, but hedged low
until I remembered how much better it was than the 4-5 good Cowell
records I played after it. Really pleased that so many SteepleChase
albums have appeared on Napster. Lots to catch up on there.
New records rated this week:
- Arca: Arca (2017, XL): [r]: B
- Body Count: Bloodlust (2017, Century Media): [r]: B+(***)
- Peter Campbell: Loving You: Celebrating Shirley Horn (2016 [2017], self-released): [cd]: B+(**)
- Cloud Nothings: Life Without Sound (2017, Carpark): [r]: B+(**)
- Rodney Crowell: Close Ties (2017, New West): [r]: B+(***)
- Brian Eno: Reflection (2017, Warp): [r]: B+(**)
- Gas: Narkopop (2017, Kompakt): [r]: B
- Chris Greene Quartet: Boundary Issues (2016 [2017], Single Malt): [cd]: B
- Marien Hassan/Vadiya Mint El Hanevi: Baila Sahara Baila (2015, Nubenegra): [r]: A-
- Mariem Hassan: La Voz Indómita (del Sahara Occidental) (2017, Nubenegra): [r]: B+(***)
- Billy Jones: 3's a Crowd (2017, Acoustical Concepts): [cd]: B
- Kendrick Lamar: Damn (2017, Top Dawg/Aftermath/Interscope): [r]: A-
- Allegra Levy: Cities Between Us (2016 [2017], SteepleChase): [cd]: B+(***)
- Arto Lindsay: Cuidado Madame (2017, Northern Spy): [r]: A-
- Mas Que Nada: Sea Journey (2017, Blujazz): [cd]: B
- Mount Eerie: A Crow Looked at Me (2017, PW Elverum & Sun): [r]: B+(*)
- Matt North: Above Ground Fools (2017, self-released): [r]: A-
- Brad Paisley: Love and War (2017, Arista Nashville): [r]: B
- Michael Pedicin: As It Should Be: Ballads 2 (2016 [2017], Groundblue): [cd]: B+(*)
- Angaleena Presley: Wrangled (2017, Thirty Tigers): [r]: A-
- Priests: Bodies and Control and Money and Power (2014, Don Giovanni, EP): [r]: B+(*)
- Priests: Nothing Feels Natural (2017, Sister Polygon): [yt]: B+(**)
- Jason Rigby: Detroit-Cleveland Trio: One (2016 [2017], Fresh Sound New Talent): [cd]: B+(***)
- Scott Routenberg Trio: Every End Is a Beginning (2017, Summit): [cd]: B+(*)
- Sarah Shook & the Disarmers: Sidelong (2015 [2017], Bloodshot): [r]: B+(***)
- Jared Sims: Change of Address (2017, Ropeadope): [cd]: B+(***)
- Colin Stetson: Sorrow: A Reimagining of Gorecki\'s 3rd Symphony (2016, 52Hz): [r]: B-
- Colin Stetson: All This I Do for Glory (2017, 52Hz): [r]: A-
- Stormzy: Gang Signs & Prayer (2017, Merky): [r]: B+(*)
- Vagabon: Infinite Worlds (2017, Father/Daughter): [r]: B+(*)
- Valerie June: The Order of Time (2017, Concord): [r]: B+(**)
- Zeal & Ardor: Devil Is Fine (2016 [2017], MKVA): [r]: B+(***)
Recent reissues, compilations, and vault discoveries rated this week:
- Outro Tempo: Electronic and Contemporary Music From Brazil, 1978-1992 (1978-92 [2017], Music From Memory): [r]: B+(*)
Old music rated this week:
- Mariem Hassan: Mariem Hassan Con Leyoad (2002, Nubenegra): [r]: B+(***)
Grade changes:
- Stanley Cowell Trio: Departure #2 (1990, SteepleChase): [r]: [was: B+(***)] A-
Unpacking: Found in the mail last week:
- Dominique Eade & Ran Blake: Town and Country (Sunnyside): June 9
- Jason Kao Hwang: Sing House (Euonymous): May 5
- Ed Maina: In the Company of Brothers (self-released): May 6
- Bob Merrill: Tell Me Your Troubles: Songs by Joe Bushkin (Accurate): May 19
- Mumpbeak: Tooth (Rare Noise): advance, May 26
- Jamie Saft/Steve Swallow/Bobby Previte With Iggy Pop: Loneliness Road (Rare Noise): advance, May 26