Sunday, May 28, 2017


Music Week

Music: Current count 28187 [28166] rated (+21), 387 [397] unrated (-10).

As this weekly post falls on Memorial Day, I'd like to dedicate it our fallen heroes: not those who lost their lives in the many pointless wars this nation has waged since shortly before I was born, but to those who spoke, wrote, and often demonstrated against those wars, especially those who recognized how tightly war was bound up with social and economic injustice, who saw the struggle against both as equally necessary.

Foremost in my mind today are Alice Powell and Mary Harren, who late in their lives became good friends as well as comrades, and Elizabeth Fink, one of the finest, most steadfast, and most principled legal minds of our generation. I could, of course, come up with a few dozen more names of people I've known, and many more who inspired me from a distance -- David Dellinger is one of the latter I often find myself returning to. And, thankfully, there are many more still living, still struggling to turn minds and souls against America's fascination with empire and its attendant inequality and injustice.

Among the living one I should mention is Gail Pellett, who I knew briefly in St. Louis in the early 1970s. She was a graduate student in the sociology department at Washington University, and I was in several classes with her and ran into her socially and politically. She graduated and left for Boston, then a couple years later moved to New York, working in public radio and teaching journalism. In 1980 she got a job as a "foreign language expert" for Radio Beijing in China, and spent a year there trying to fit in and ultimately getting rejected (or at least dejected). A couple years ago she wrote a memoir of her time in China, Forbidden Fruit, which I recently read. Terrific book, taught me a lot about the post-Mao transition in China -- the scars of the Cultural Revolution and the fitful reforms of Deng Xiaoping's zig and zag toward economic reform and prosperity minus democracy. But it also filled in some earlier and later history of Gail I never knew, and reminded me how much I adored her when our paths crossed. Also note all the music she mentions. Those years were the ones that got me interested in music and its social context, so she probably had something to do with all that.


Relatively light week of record processing: partly because I was distracted with all the Trump nonsense, partly because I took some time off to paint the fence and cook, partly because I'm having a lot of trouble making up my mind about good-but-not-great albums. Two of those inched into the A- column this week, with a couple more falling arbitrarily short (Cuong Vu was probably the most tempting, followed by Diet Cig and Klaus Treuheit, with Shakira most volatile (only 2 plays, could go either way), and I still haven't made up my mind on Riverside after 6-7 plays).

Feeling a big nostalgic, so I made fried chicken, biscuits & gravy, and green beans tonight -- the chicken and gravy like my mother taught me (and they came out near-perfect), but I cheated a bit on the rest (much to the meal's detriment: I used a microwave bag of green beans and some really old Bisquick that didn't rise). Just for us, so I wasn't too embarrassed, but I can do better.

Looks like I need to post Streamnotes tomorrow or Wednesday. Draft file currently has 106 albums, so the post will be lighter than usual, not that I've slacked off too badly this month. Still don't have many good non-jazz leads to chase down.


New records rated this week:

  • Amok Amor [Christian Lillinger/Petter Eloh/Wanja Slavin/Peter Evans]: We Know Not What We Do (2016 [2017], Intakt): A-
  • Anemone [Peter Evans/John Butcher/Frederic Blondy/Clayton Thomas/Paul Lovens]: A Wing Dissolved in Light (2013 [2017], NoBusiness): [cdr]: B+(***)
  • Daddy Issues: Deep Dream (2017, Infinity Cat): [r]: A-
  • Diet Cig: Swear I'm Good at This (2017, Frenchkiss): [r]: B+(***)
  • Fred Frith/Hans Koch: You Are Here (2016 [2017], Intakt): [cd]: B+(**)
  • Hurray for the Riff Raff: The Navigator (2017, ATO): [r]: B+(*)
  • José James: Love in a Time of Madness (2017, Blue Note): [r]: B+(*)
  • B.J. Jansen: Common Ground (2016 [2017], Ronin Jazz): [cd]: B+(**)
  • Diana Krall: Turn Up the Quiet (2017, Verve): [r]: B+(***)
  • Ed Maina: In the Company of Brothers (2017, self-released): [cd]: B
  • Mumpbeak: Tooth (2017, Rare Noise): [cdr]: B
  • Simona Premazzi: Outspoken (2016 [2017], self-released): [cd]: B+(*)
  • Tom Rizzo: Day and Night (2015 [2017], Origin): [cd]: B
  • Jamie Saft/Steve Swallow/Bobby Previte With Iggy Pop: Loneliness Road (2017, Rare Noise): [cdr]: B+(**)
  • Shakira: El Dorado (2017, Sony Latin Music): [r]: B+(***)
  • Klaus Treuheit/Lou Grassi: Port of Call (2016 [2017], NoBusiness): [cdr]: B+(***)
  • Cuong Vu 4-Tet: Ballet (2017, Rare Noise): [cdr]: B+(***)
  • Jürg Wickihalder/Barry Guy/Lucas Niggli: Beyond (2016 [2017], Intakt): [cd]: B+(***)

Recent reissues, compilations, and vault discoveries rated this week:

  • Itaru Oki/Nobuyoshi Ino/Choi Sun Bae: Kami Fusen (1996 [2017], NoBusiness): [cd]: B+(**)

Old music rated this week:

  • Independence Hall Jazz Band: Louis: The Oliver Years (2002, Stomp Off): [r]: B+(**)


Unpacking: Found in the mail last week:

  • Ignacio Berroa Trio: Straight Ahead From Havana (Codes Drum Music): August 7
  • Roger Davidson: Oração Para Amanhã/Prayer for Tomorrow (Soundbrush): June 14
  • Rick Davies: Thugtet (Emlyn)
  • Brian McCarthy Nonet: The Better Angels of Our Nature (self-released)
  • Kyle Motl: Solo Contrabass (self-released)
  • The New Vision Sax Ensemble: Musical Journey Through Time (Zak Publishing): June 12
  • Simona Premazzi: Outspoken (self-released)

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