Monday, June 5, 2017


Music Week

Music: Current count 28225 [28187] rated (+38), 383 [387] unrated (-4).

Published April's Streamnotes last Wednesday. I usually try to make a push at the end of the month to find a few more A-list albums, but gave up after nothing but the Paul Rutherford archival tape clicked. I stopped adding records late Tuesday and posted mid-day Wednesday, but as it turned out Wednesday netted seven good records: 1 A- (Lord Echo), 3 B+(***) (Heliocentrics, Sleaford Mods, Chris Stapleton), and 3 B+(**) (Gato Libre, Ryan Keberle, Umoja). A good start for a better June column.

Still, I decided I needed to do some better research for the future. For some years now, I've kept a file I call Music Tracking: basically a long list of the year-to-date's releases. Records I have physical copies of are shown in blue (220 so far this year) -- I add them to the list during unpacking -- and other records I've sampled off the internet and written about are in green (110). For most of this year that's all I've done with the file (although previous year's files have been much more extensive). But the idea is to sort the unheard records into four priorities (0, 1, 2, 3), where: 3 = things I must hear; 2 = things I want to hear, or things lots of other people think I should hear; 1 = things some people think are worth hearing, but I'm not in much of a rush; and 0 = things I've noticed but have no real interest in. The 0 priority albums don't show up in the default presentation, but when I search the source file I'll find them (and think, no bother looking into that further).

This year I haven't been using 0 or 3, but I do find myself searching for priority 2 records for something to listen to. So last week I added a bunch of albums to the file. I got these first by going through AOTY's Highest Rated Albums of 2017 list, jotting down everything in the top 200 and a few things I recognized as interesting below that. I then used the "Source" option to select specific publications, and picked up the top 25 for most of them (I skipped Alternative Press but have since gone back and picked up their 90+ ratings). Also, in a few cases that review a lot of varied records, I went deeper (Pitchfork, PopMatters, Guardian -- those three had 100+ records rated 80+). I probably need to go back and probe a few other sites deeper, and maybe check Metacritic's album releases by score list, and look at a few mid-year best-of lists: thus far I've checked Billboard, DJBooth, Entertainment Weekly, Mass Appeal, NME, Observer [Hip-Hop], Observer [Jazz], Thrillist; I also see new lists from: The Free Weekly, The Musical Hype, Spin, The Telegraph, and Uproxx. (Note that I've opted not to pursue several lists of minor interest and/or unfriendly to my browser: FACT, HotNewHipHop, Loudwire, Metal Storm, PopCrush, Sputnik, Time.) I also notice there are a few things on Phil Overeem's First Quarter Report I haven't heard. including his top rated Harriet Tubman album (also number 2 for Chris Monsen).

The file currently lists 105 priority 2 albums and 503 priority 1, so there should be enough there to keep me busy in weeks ahead.


New records rated this week:

  • Tony Allen: A Tribute to Art Blakey & the Jazz Messengers (2017, Blue Note, EP): [r]: B+(**)
  • Mary J Blige: Strength of a Woman (2017, Capitol): [r]: B+(***)
  • Blondie: Pollinator (2017, BMG): [r]: B
  • Chastity Belt: I Used to Spend So Much Time Alone (2017, Hardly Art): [r]: B+(*)
  • Gato Libre: Neko (2016 [2017], Libra): [cd]: B+(**)
  • Freddie Gibbs: You Only Live 2wice (2017, ESGN/Empire): [r]: B+(**)
  • The Brett Gold New York Jazz Orchestra: Dreaming Big (2016 [2017], Goldfox): [cd]: B+(*)
  • GoldLink: At What Cost (2017, Squaaash Club/RCA): [r]: B+(***)
  • Halsey: Hopeless Fountain Kingdom (2017, Astralwerks): [r]: B+(**)
  • The Heliocentrics: A World of Masks (2017, Soundway): [r]: B+(***)
  • Innocent When You Dream: Dirt in the Ground (2017, self-released): [cd]: B+(*)
  • The Jesus and Mary Chain: Damage and Joy (2017, ADA/Warner): [r]: B+(**)
  • Jlin: Black Origami (2017, Planet Mu): [r]: B+(**)
  • Ryan Keberle & Catharsis: Find the Common, Shine a Light (2017, Greenleaf Music): [cd]: B+(**)
  • Zara Larsson: So Good (2017, Epic/TEN): [r]: B+(**)
  • Lord Echo: Harmonies (2017, Soundway): [r]: A-
  • Low Cut Connie: "Dirty Pictures" (Part 1) (2017, Contender): [r]: B
  • John McLean/Clark Sommers Band: Parts Unknown (2017, Origin): [cd]: B-
  • Jason Miles: Kind of New 2: Blue Is Paris (2017, Lightyear): [cdr]: B+(*)
  • Thurston Moore: Rock N Roll Consciousness (2017, Caroline): [r]: B+(*)
  • John Moreland: Big Bad Luv (2017, 4AD): [r]: A-
  • Quinsin Nachoff/Mark Helias/Dan Weiss: Quinsin Nachoff's Ethereal Trio (2016 [2017], Whirlwind): [cd]: A-
  • Vadim Neselovskyi Trio: Get Up and Go (2017, Blujazz): [cd]: B+(**)
  • Mason Razavi: Quartet Plus, Volume 2 (2016 [2017], OA2): [cd]: B
  • Riverside [Dave Douglas/Chet Doxas/Steve Swallow/Jim Doxas]: The New National Anthem (2015 [2017], Greenleaf Music): [cd]: B+(***)
  • Sleaford Mods: English Tapas (2017, Rough Trade): [r]: B+(***)
  • Slowdive: Slowdive (2017, Dead Oceans): [r]: B+(*)
  • Omar Souleyman: To Syria, With Love (2017, Mad Decent): [r]: A-
  • Chris Stapleton: From a Room: Volume 1 (2017, Mercury Nashville): [r]: B+(***)
  • Tamikrest: Kidal (2017, Glitterbeat): [r]: B+(**)

Recent reissues, compilations, and vault discoveries rated this week:

  • Hayes McMullan: Everyday Seem Like Murder Here (1967-68 ]2017], Light in the Attic): [r]: B+(***)
  • The Rough Guide to Hillbilly Blues (1920s-30s [2017], World Music Network): [r]: A-
  • The Rough Guide to Jug Band Blues (1920s-30s [2017], World Music Network): [r]: A-
  • Sun Ra & His Arkestra: Thunder of the Gods (1966-71 [2017], Modern Harmonic): [r]: B-
  • Paul Rutherford/Sabu Toyozumi: The Conscience (1999 [2017], NoBusiness): [cd]: A-
  • Umoja: 707 (1988 [2017], Awesome Tapes From Africa, EP): [r]: B+(**)

Old music rated this week:

  • Gregg Allman: One More Try: An Anthology (1973-88 [1997], Capricorn/Chronicles, 2CD): [dl]: B+(**)


Unpacking: Found in the mail last week:

  • Gerald Cannon: Combinations (Woodneck)
  • Steve Coleman: Morphogenesis (Pi): June 23
  • Alex Goodman: Second Act (Lyte): June 23
  • Errol Rackipov Group: Distant Dreams (OA2): June 16
  • Scenes: Destinations (Origin): June 16
  • Carlos Vega: Bird's Up (Origin): June 16

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