An occasional blog about populist politics and popular music, not necessarily at the same time.
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Monday, December 11, 2017
Music: Current count 28995  rated (+45), 388  unrated (-2).
First time I calculated the rated count I came up with 31, which looked way low. A closer look kicked it up to 37, and then I went back and rechecked everything in the rated list and found a bunch of records missing grades. I also recalled that I had played two Yaeji EPs, so fixed that. Final rated total winds up pretty close to the upper bounds of a good, solid week. Contributing were two things: one was that I was recuperating from the previous week's cooking madness, taking it easy with hardly any distractions; the other was that I used a good deal of my chill time aggregating EOY lists, which suggested a lot of records to check out. Can't say as they've generated a lot of finds thus far, although one list pointed me to the legendary Kenyan band, and their label's Bandcamp page led me to the Andina compilation. My tip for the '90s pop compilation came from Robert Christgau (at the time I couldn't find the other one he liked, Now That's What I Call Tailgate Anthems, but I've found it now, so next week).
I finally got the Jazz Critics Poll ballot data last night, so I'm swamped with work to do to check and format that data. Still not sure when NPR is going to run -- probably this week, quite possibly before I get my part done. Otherwise I'd write something about how the EOY list aggregate is shaping up, but I suppose you can see for yourself. As I initially suspected, Kendrick Lamar's Damn is well ahead, with the next four slots very close (83-78 by my count, compared to 114 for Lamar and 55 for 6th place Vince Staples: Lorde, LCD Soundsystem, SZA, and St. Vincent. I've compiled far fewer lists than I have in recent years, but I'll note that AOTY's 2017 Music Year End List Aggregate currently shows the same top six albums in the same order (although they have Lorde opening up a clear gap over a virtual tie between LCD Soundsystem and SZA). Their top ten rounds out with War on Drugs, Father John Misty, Sampha, and National, with Slowdive 11th. My top 11 has the same records, order slightly shuffled.
After that we disagree more, with Mount Eerie dropping from 12th on their list to 28th on mine; Tyler the Creator from 13th to 19th; the XX from 21st to 38th, Taylor Swift from 36th to 68th. There are fewer dramatic improvements on my list, although the early UK bias certainly helps Jane Weaver (from 40th to 16th). I'll know more, and be able to say more, next week. One thing I will note is that my list has picked up on so few jazz lists that it's completely useless for predicting the Jazz Critics Poll.
One final note: after reviewing it, I discovered that Octopus is actually scheduled for Jan. 28, 2018 release, so it doesn't appear in my 2017 Jazz List. I did find the FCT album after I cast my Jazz Critics Poll ballot, so as usual it took me just a few days to find an A- album I had missed.
New records rated this week:
Recent reissues, compilations, and vault discoveries rated this week:
Old music rated this week:
Unpacking: Found in the mail last week: