#^d 2018-04-16 #^h Music Week

Music: current count 29570 [29549] rated (+21), 365 [371] unrated (-6).

Looks like rated count tanked, but four of the albums listed below are 2-CD, one 3-CD, and one is 4-CD. Granted, I didn't give the multiple sets (aside from Ivo Perelman) extra spins. My two new A- records got at least four plays. The only question I had about the other -- a 2-CD reissue of the first half of Anthony Braxton's 4-CD Willisau (Quartet) 1991 -- was whether it would rise to a full A, but I noted a couple of off spots, and figured my original A- grade would hold (albeit a high one). On the other hand, I carved out three separate grades for original albums collected in Louis Armstrong's Pops Is Tops: The Complete Verve Studio Albums and More. Finally an Armstrong box you don't need, although to the extend you can isolate the leader's vocals and occasional trumpet from Russ Garcia's orchestra, you might beg to differ. The album with Oscar Peterson isn't so great either. If you want to hear Satch singing show tunes, try challenging him, as Ella Fitzgerald did: see Ella and Louis and, even better, Ella and Louis Again.

The Arild Andersen album took a while because it never quite hit me as strong as Live at Belleville, his first album with tenor saxophonist Tommy Smith. The John Prine album was even more marginal. Touted as his first album of original songs since 2005's Fair and Square, one might have hoped that Trump raised up his political hackles like Bush did, but he chose to sing about something less depressing: death -- or at least it's less depressing given his spin on the afterlife. He looks bad, and sounds worse, but bears a message of forgiveness for damn near everyone. Feels a lot like You Want It Darker, which is about as much a decline from I'm Your Man as this is from The Missing Years. Folks get old and decrepit, and maybe you should appreciate them a little before they die.

Two near misses. After seven volumes of The Art of Perelman-Shipp last year, I was feeling a little fatigue in facing three more duo CDs. I played the third disc enough to be impressed, but was glad I didn't have to sort them all separately. I was even more impressed by George Coleman on the Brian Charette disc. He's showing remarkable vigor for an 82-year-old, but was somewhat better served on 2016's A Master Speaks. The other B+(***) this week is a bass duo recovered from 1994 -- a rather self-limiting format, but really doesn't sound like a bass duo at all. More like an interesting but oblique soundtrack.

Unpacking was very skimpy last week, but I folded Monday's mail in so it looks closer to normal below. Still, didn't factor those into the unrated count, so we're a bit out of sync. I have quite a bit of backlog.


One significant addition to the website is that I've resurrected a set of pages on my late sister's Sacred Space project, from 2002. I had these pages tucked into a corner of my website before they got trashed by my ISP. I was able to salvage the text files, but had to scrounge through my stuff to locate a CD-ROM with the images. At this point I've done little more than update the HTML. I still need to annotate the images (I'll need help for that; even more help would be to find better images, as many of these are awful fuzzy), add image links to the portal pages, and add links from the Checklist to the portal pages. I probably need to transpose most of the images, and make thumbnails so they can be presented more sensibly (instead of just by name).

I could also use some more historical details. The project was originally displayed at Wichita State University, and has had at least one other presentation, but has mostly been in storage. It was officially directed by Diane Thomas Lincoln (who died in 2012), but I recall Kathy talking about the portal concept much earlier, and I've always regarded her as the driving force behind the project. WSU had agreed to re-present the project this summer -- something Kathy was very much looking forward to.


New records rated this week:

Recent reissues, compilations, and vault discoveries rated this week:

Old music rated this week:


Unpacking: Found in the mail last week: