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Music: current count 29604 [29570] rated (+34), 362 [365] unrated (-3).
Made a decent sized dent in the new jazz queue, especially over the weekend when I found it easier to just pull something out than try to figure out what to look up on Napster. I did, however, chase down a few recommendations from Chris Monsen, Phil Overeem, and Robert Christgau. Though not on his list yet, I think it was Monsen on Facebook who mentioned that the Ex have a new record out. Someone wondered who they were, so I pointed out I had rated 24 of their records (7 A-). Probably inappropriate for me to rate the new one as high as I did on a single Bandcamp play, but the grade was pretty clear by midway, and only got better from there out. For more, see Bandcamp Daily's A Guide to (Nearly) Four Decades of Dutch Punks The Ex).
The Ex came out of a Expert Witness discussion on the best records of 2018 (so far). One name that popped up frequently and is both on Monsen's and Overeem's lists is JPEGMAFIA's Veteran. Hip-hop, very (as they say) experimental. I didn't get into it at all, but I had a somewhat easier time with his earlier Black Ben Carson. Also from that thread, Jeffrey Lewis' Works by Tuli Kupferberg. In some ways I think the older "A Loot-Beg Bootleg" sounds better -- just Lewis and two women who sometimes sing, versus the mass singalong on the new album -- but I've had a soft spot for Kupferberg, and even if he weren't dead he'd never be able to frame his work in better light.
I continue to have problems with Christgau's picks. I don't think there's been one I've said "yeah!" to since Shopping's The Official Body (2/23), although I liked Laurie Anderson's Landfall more than he did, and already had Amy Rigby's The Old Guys at A-. Some I reviewed respectably earlier but haven't replayed: Taylor Childers' Purgatory, Alvvays' Antisocialites, Yo La Tengo's There's a Riot Going On, and Rapsody's Laila's Wisdom. But few have been as disappointing as Jinx Lennon's Grow a Pair. And while I wasn't much impressed with Superchunk's What a Time to Be Alive, it tops Monsen's list. I also noted that Milo Miles raved about Mast's Thelonious Sphere Monk last week. And Overeem wrote a rave review of Tracey Thorn's Record. He also likes the Lewis Kupferberg album, plus two of my recent favorites: John Prine's The Tree of Forgiveness and Sons of Kemet's Your Queen Is a Reptile.
Of the B+(***) records below, one that stands out is William Parker's Lake of Light. It's a quartet of aquaphones, so sounds like harps and percussion under water -- a bit too weird for me, but maybe not for you.
The Armstrongs are just some mop up after last week's not especially recommended Pops Is Tops box. The Nightclubs would make a nice time capsule entry as it tracks the evolution of Armstrong's 1950s All Stars, although there are better examples of live Armstrong from the era, including all four CDs in The California Concerts. Ambassador Satch strays from his usual live show, as if he worried that Europeans were still expecting ODJB dixieland, so he decided to show them how it's really done. Probably the best "Tiger Rag" ever.
April ends next Monday, so it would seem a good idea to wrap up a Streamnotes post by Friday/Saturday. Despite my distractions earlier this month, the draft file currently holds 90 records (14 A- or A) so it's shaping up as a pretty solid month.
I want to note that I received a couple dozen personal letters over recent weeks, and I was touched and comforted by those who wrote -- some with fond memories, other from people I've never met but who clearly appreciate my work and care. I have yet to respond to any of those letters, for which I apologize. Sometime sooner or later I hope to, but for now I want all of you to know how thankful I am for your friendship and concern.
New records rated this week:
Recent reissues, compilations, and vault discoveries rated this week:
Old music rated this week:
Unpacking: Found in the mail last week: