#^d 2018-06-04 #^h Music Week

Music: current count 29786 [29759] rated (+27), 339 [344] unrated (-5).

Rated count better than expected, but mostly due to listening to old (often familiar) music -- only 11 new releases below. Could be that I listened to/rated/reviewed a few albums between last Monday's update and my catastrophic computer crash. If so, I'll have to go back and redo. But I did find a couple of bookkeeping discrepancies that added to the rated count.

Current computer status:

As some point I may push a few of the more volatile music files onto the server. (Maybe I should try writing an explicit pathname archival tool today, since that would be useful now and again in the near future? OK, that's done.)

A couple of notes on this week's music. Back in December, Cuneiform announced that they wouldn't be releasing any new music -- you can still buy their back catalog, and they've put it up on Bandcamp so you can actually listen to it. (They've always been a holdout from streaming services.) So I was surprised when the two new Thumbscrew releases showed up in the mail. Looks like they have some more digital-only releases, but these are (or soon will be) physical. And they're so good I went back and tried to play Mary Halvorson's other new record this year, Code Girl. I still don't like it, the problem a singer who grates on my nerves. Vocals also undermine the Phil Haynes double, but his No Fast Food album is possibly the best showcase in recent memory for Dave Liebman.

The unpacking queue has thinned out considerably in the last month, and not having time to do much research, I've resorted to using Napster's very limited "featured" offerings. That got me to Chvrches, Gift of Gab, Pusha T, and Kanye West. I wound up giving West's 7-track "album" an extra play after a Facebook friend raved about it, and another stressed how much better it got after multiple plays. I also followed links to reviews by Rob Harvilla. Meaghan Garvey, and Lindsay Zoladz, none of which turned out to be all that positive. I looked the album up on Metacritic, where its average score is 67 for 20 reviews (user score is 7.4 on 397 ratings). I wound up bumping the album one slot, but was already regretting that before "Ghost Town" finished.

I'm counting the 7-cut (21-23 minute) West productions as EPs. In the past I've often lowballed EPs, not because I think they lack value but because usually a record takes some time to make itself felt. Still, two of my A- grades this week are EPs (both six cuts, one a mere 21:16, the other a near-LP 28:40). Both are terrific, but also feel pretty substantial to me. Between the vinyl revival and the dominance of digital formats, that sort of length range is becoming common, making labels awkward.

As for my "old music," one of the scripts I tested was the one that prints out my grade database for a given artist. I used the Rolling Stones as my test case, and noticed the ungraded Black and Blue and a few albums I've never heard. Most were available on Napster, so I figured they'd make for easy listening while I was working on the website. Once I caught up with the missing items, I decided to go back and pick up the UK versions of early albums I knew from US editions. (One thing that inspired me here was Michael Tatum's review of Out of Our Heads -- US edition, although I had to look that detail up. By and large, the UK editions turned out not to be as good -- or maybe they just sounded a bit thin (on the computer) and dated? I didn't do any rechecking. I also didn't prepare cover images, even when they rose to A- or even A.

I imagine I'll follow similar strategies in coming weeks, and see where it all leads me. But I'll also take a look at Phil Overeem's latest list and see what else pops up. Played the new Sidi Touré album while writing this, realizing (again) there are old ones I should catch up with.

New records rated this week:

Recent reissues, compilations, and vault discoveries rated this week:

Old music rated this week:

Unpacking: Found in the mail last week: