Wednesday, July 25, 2018


Music Week

Music: current count 30010 [29979] rated (+31), 345 [340] unrated (+5).

Week was short, for all practical purposes ended Friday or Saturday, when I figured out that the insufferable heat was due to a failed air conditioner compressor. It would have to be replaced, which took until Tuesday. By Saturday afternoon I was so miserable that I decided not to do any writing or even web surfing for the duration -- certainly no Weekend Roundup, although I figured I'd just postpone Music Week. Went to bed relatively early Sunday but only managed about four hours sleep, with a little nap Monday afternoon. Monday night was worse: went to bed at 4:30, and woke up at 7:00, so got up to wait for the service tech, and was up all day. Was so worn out last night I spent an hour staring at a jigsaw puzzle without being able to add a single piece. But by then the house had cooled, and I slept last night. Not enough to catch up, but I'm at least I'm functional today.

The one piece of work I did manage to do was to post the first batch of questions and answers on Robert Christgau's website. Joe Levy suggested that Christgau do this to help promote his new book, Is It Still Good to Ya? Fifty Years of Rock Criticism 1967-2017. The obvious model is Ask Greil, where Greil Marcus fields readers' questions. That feature was put together by using the WordPress blog tool, but I thought it would work better with some custom coding. I had this pretty much worked out before the weekend catastrophe, but had trouble with the final edits, and couldn't respond to some style issues under the circumstances. We should have a page intro and a link to the question form. I'd like to have a banner instead of the usual H2 title. Joe wanted to insert some links, but I lost them (as well as a couple edits), and didn't feel up to tracking them down.

Current plan is to publish a batch of these every other Tuesday -- which, as long as I'm in the loop probably means early AM (or as I prefer to think of it, late Monday). Currently have 160 questions, so demand has already way outpaced supply. My scheme will present the most recent dozen or so, letting you scroll back through the rest (like the news file). But I've thought a bit about making it easier to search back through the archive, possibly using keywords or simple text search, maybe more complex queries. It also should be possible to develop some sort of FAQ, but that would involve moving the q&a into the database, and that would complicate the still unsettled work flow.

Meanwhile I'm trying to manage three sets of work involving the Christgau website. The first problem is that after my computer crash, I had to rebuild my local copy of the website from the server copy, and that revealed a fairly substantial amount of code breakage: PHP 7 dropped support for a number of functions, including literally all of the MySQL database interface. Until I fix that (in a way that remains compatible with the PHP 5 the server is running) I can't do a general website update. I got about a third of the way through that before I got distracted by a bunch of other things several weeks ago.

Second, I need to update files to enforce a contractual embargo on various articles that are going into the new book. That's supposed to be done this week (three months before publications date), so has the tightest deadline. I was working on that before the air conditioning went out, and need to get right back to it after I post this. Instead of doing a general update, I figure I can do that by just updating a select subset of files, but they still have to be changed in ways that work on both platforms. Also, I'm trying to change them in ways that will also work in the future.

That introduces the third set of work: the website is overdue for a comprehensive redesign. When I originally built it back in 2001, I wrote it to conform to "HTML 4.01 Transitional," using ISO-8859-1 (Latin-1) character set encoding (which works for all Western European languages), implemented using PHP 3 and whatever MySQL was then (I think also 3). Some newer features have been incorporated piecemeal, but I've been fighting a rearguard battle to keep what I have working for more than a decade (I found a 2008 notebook entry about codeset problems). I'm not sure what all this entails, but a good start is to make the files conform to HTML5, and that's what I'm trying to do now, in a piecemeal framework. However, some changes will have to be applied globally -- the viewport change to better support phones, replacing table layout with CSS, and (most traumatically, I'm sure) converting to UTF-8.

I hope to have the book support and enough of the code breaks fixed to do a partial update by the end of the weekend. After that, I think the next step is to build a separate beta website, first locally then on the server, to work out the kinks in the redesign. I'd be curious if anyone has ideas to incorporate -- technology, of course, and graphics (obviously something I'm weak in) but perhaps more importantly matters of usability.


The other thing to note here is that my rated count passed a pretty major round number this week: 30,000. I suppose I should go back through the notebook and plot the rise. I'm not even sure when I started keeping a rated list. I bought my first computer -- and last Apple, an Apple II -- in 1979, but didn't do a very good job of carrying data forward until I set up my first Linux machine in 1998, which if memory serves was my sixth or seventh generation machine. (I still have that machine, and only shut it down a year ago, when I replaced it with an appliance router.) Sometime before 1998 I had a file called "records.txt" which was an alphabetized list with letter grades as a crib sheet (an aide de memoire in case I got confused over "which was the good one" of some poorly remembered artist). But in its early days, the list didn't capture everything I owned, much less had heard.

I had very few LPs before I went to college -- maybe three dozen bought in the 1960s -- and didn't grow much until I left college and finally got a job, setting type in St. Louis. At that point, I started driving all over town, shopping every week, sometimes buying things simply because the cover enticed me. (Not always successfully, but that's how I got into Roxy Music and Ducks Deluxe.) When I moved to New York in 1976, I had a plywood filing cabinet with six drawers, each of which could hold over one hundred albums (you could thumb through them, cover facing), plus a shelf on top with two dividers that could hold a couple hundred more. Not sure when I filled them up and moved on to industrial shelving -- probably after I moved to New Jersey in 1980. I didn't write about music in the 1980s, so I probably slowed down, but my income went up, so maybe I didn't. I think I had somewhere between 2000 and 3000 LPs when I started buying CDs, rather late in that game. The CD numbers exploded in the mid-1990s as I got seriously into jazz (and had a private office where I could play music while I worked), and exploded again for a few years after moving back to Kansas in 1999 (and worked at home, before I became freer still). And from 2003 on, especially after the Voice started publishing my Jazz Consumer Guide, I started getting promos. The rated count jumped further once I started streaming Rhapsody. I started writing Streamnotes in 2007, figuring that as long as I was listening, I should take notes, and the grade is the simplest, most gut level form of note.

The earliest rated count I can find in the notebook is from February 2003, when the count passed 8,000, so I've averaged about 1,420 per year since then (or 118 per month, or 27 per week). Perhaps we should divide this stretch into two periods, before and after streaming. February 2008 is a fair dividing line, I averaged 1230/year (101/month, or 24/week), which with streaming rose to 1510/year (125/month, 29/week). This confirms my subjective feeling that 30-count weeks are very common, and that 10-year average still seems to be the case. This year seems to be on track: counting 133 records in July's Streamnotes file, I have 912 graded records for the year-to-date (130/month, 30/week).

That would put me on track to hit 40,000 in seven years (August 2025), and 50,000 seven years later (2032), but it's unlikely I'll be able to sustain that pace for anything close to that long -- I'd be close to 75 for the former, 82 for the latter. And every year, with well over 50,000 new records coming out, I'd fall ever further behind -- my list shrinking into an ever smaller sampling. I'm sorry but the more I do this, the more insignificant it feels.

As for this week's haul, I noticed new vault tapes from Dexter Gordon and Woody Shaw, so I thought I'd see what else Napster had that I hadn't heard. Turns out there was very little by Shaw, but quite a bit of Gordon -- hence this week's "old music." One album in particular I wanted to listen to was Homecoming, since I had wrangled myself a ticket to one of Gordon's Village Vanguard shows (the only time I saw him, or for that matter the famous club). Also turns out that Shaw was on stage with Gordon there -- something I didn't recall, probably because I wasn't aware of him at the time. Still more Gordon I didn't get to (mostly on European labels, especially the one named for his tune: SteepleChase).


New records rated this week:

  • Beats Antique: Shadowbox (2016, Antique): [r]: B+(***)
  • Future & Young Thug: Super Slimey (Epic/300/Atlantic): [r]: B+(*)
  • Future: Beast Mode 2 (2018, Epic/Freebandz): [r]: A-
  • Freddie Gibbs: Freddie (2018, ESGN/Empire, EP): [r]: B+(**)
  • Jennifer Lee: My Shining Hour (2018, SBE): [r]: B
  • Lori McKenna: The Tree (2018, CN): [r]: A-
  • Allen Ravenstine: Waiting for the Bomb (2018, Morphius/ReR Megacorp): [r]: B+(*)
  • Rhio: A Rhio Good Thing (2018, Beso): [cd]: B+(*)
  • Ty Segall: Freedom's Goblin (2018, Drag City): [r]: B
  • Sophie: Oil of Every Pearl's Un-Insides (2018, MSMSMSM/Future Classic): [r]: B+(***)
  • Florian Wittenburg: Four Waves (2018, NurNichtNur): [r]: B+(***)

Recent reissues, compilations, and vault discoveries rated this week:

  • Dexter Gordon Quartet: Tokyo 1975 (1973-77 [2018], Elemental Music): [r]: B+(***)
  • Woody Shaw: Tokyo '81 (1981-85 [2018], Elemental Music): [r]: B+(**)

Old music rated this week:

  • Gene Ammons & Dexter Gordon: The Chase! (1970 [1996], Prestige): [r]: A-
  • Dexter Gordon/Wardell Gray; Citizens Bop (1946-52 [1994], Black Lion): [r]: B+(**)
  • Dexter Gordon: Dexter Blows Hot and Cool (1955 [2010], Essential Jazz Classics): [r]: B+(***)
  • Dexter Gordon: The Resurgence of Dexter Gordon (1960, Jazzland/OJC): [r]: B+(**)
  • Dexter Gordon: Body and Soul (1967 [1988], Black Lion): [r]: B+(**)
  • Dexter Gordon: The Tower of Power (1969 [1993], Prestige/OJC): [r]: B+(**)
  • Dexter Gordon: More Power! (1969 [1994], Prestige/OJC): [r]: B+(**)
  • Dexter Gordon: The Jumpin' Blues (1970 [1996], Prestige/OJC): [r]: B+(***)
  • Dexter Gordon: The Panther! (1970 [1992], Prestige/OJC): [r]: A-
  • Dexter Gordon: Ca' Puange (1972 [1973], Prestige/OJC): [r]: B+(***)
  • Dexter Gordon: Generation (1972 [1973], Prestige/OJC): [r]: B+(*)
  • Dexter Gordon: Trangerine (1972 [1975], Prestige/OJC): [r]: B+(**)
  • Dexter Gordon Quartet: The Apartment (1974 [1975], SteepleChase): [r]: B+(***)
  • Dexter Gordon Quartet: Something Different (1975 [1980], SteepleChase): [r]: B+(***)
  • Dexter Gordon Quartet: Biting the Apple (1976 [1977], SteepleChase): [r]: B+(***)
  • Dexter Gordon: Homecoming: Live at the Village Vanguard (1976 [1977], Columbia/Legacy, 2CD): [r]: A-
  • Jackie McLean Featuring Dexter Gordon: The Meeting (1973 [1990], SteepleChase): [r]: B+(***)


Grade (or other) changes:

  • Kids See Ghosts [Kanye West/Kid Cudi]: Kids See Ghosts (2018, GOOD/Def Jam, EP): [r]: was B+(*), B+(**)
  • Pusha T: Daytona (2018, GOOD/Def Jam, EP): [r]: was B+(**), B+(***)


Unpacking: Found in the mail last week:

  • Stefan Aeby Trio: The London Concert (Intakt): August 18
  • Simon Barker/Henry Kaiser/Bill Laswell/Rudresh Mahanthappa: Mudang Rock (Fractal Music): September 14
  • Dennis Llewellyn Day: Bossa, Blues and Ballads (DDay Media Group): AUgust 25
  • Rich Halley 3: The Literature (Pine Eagle)
  • Gayle Kolb: Getting Sentimental (Jerujazz): August 31
  • Nicole Mitchell: Maroon Cloud (FPE): August 10
  • John Pittman: Kinship (Slammin' Media): August 24
  • Günter Baby Sommer: Baby's Party [Guest: Till Brönner] (Intakt): August 18

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