Jazz Consumer Guide (17):
Festival Visions

William Parker's New York festival pays dividends for record buyers everywhere

by Tom Hull

This article is an unpublished draft.

This piece has not yet been published.

Rated

This table provides a working guide to how the JCG is shaping up. This does not include anything moved to bk-flush: these include items relegated to Surplus, reviewed in Recycled Goods, or just passed over. Entries in black are written, gray graded but not written, red ungraded but with prospect notes (all these are at the bottom of their approximate grade levels, alphabetized). A-list, B-list and Duds are alphabetical; HM lists are ranked, with breaks for three-two-one stars.

Picks
  • William Parker: Double Sunrise Over Neptune (AUM Fidelity) A
  • Rob Brown Ensemble: Crown Trunk Root Funk (AUM Fidelity) A-
A
  • Steven Bernstein: Diaspora Suite (Tzadik) A-
  • Bloodcount: Seconds (Screwgun) A-
  • The Roy Campbell Ensemble: Akhenaten Suite (AUM Fidelity) A-
  • Ted Des Plantes' Washboard Wizards: Thumpin' and Bumpin' (Stomp Off) A-
  • Mike Ellis: Bahia Band (Alpha Pocket) A-
  • Scott Fields Freetet: Bitter Love Songs (Clean Feed) A-
  • Brent Jensen: One More Mile (Origin) A-
  • Alex Kontorovich: Deep Minor (Chamsa) A-
  • Myra Melford/Mark Dresser/Matt Wilson: Big Picture (Cryptogramophone) A-
  • Nublu Orchestra: Conducted by Butch Morris (Nublu) A-
  • Slow Poke: At Home (Palmetto) A-
  • Vandermark 5: Beat Reader (Atavistic) A-
  • Mike Walbridge's Chicago Footwarmers: Crazy Rhythm (Delmark) A-
HM [***]
  • The Harry Allen-Joe Cohn Quartet: Music From Guys and Dolls (Arbors) A-
  • Grupo Los Santos: Lo Que Somos Lo Que Sea (Deep Tone) A-
  • Dick Hyman/Chris Hopkins: Teddy Wilson in 4 Hands (Victoria) A-
  • Mary Lou Williams: A Grand Night for Swinging (High Note) A-
  • Paul Shapiro's Ribs and Brisket Revue: Essen (Tzadik) A-
  • Ari Roland: And So I Lived in Old New York . . . (Smalls) A-
  • Marilyn Mazur/Jan Garbarek: Elixir (ECM)
  • Steve Lehman Quintet: On Meaning (Pi)
  • Giacomo Gates: Luminosity (Doubledave Music)
  • Sal Mosca Quartet: You Go to My Head (Blue Jack Jazz)
  • Adam Kolker: Flag Day (Sunnyside)
  • Stacey Kent: Breakfast on the Morning Tram (Blue Note)
  • James Carter: Present Tense (Emarcy)
  • The Jack & Jim Show Presents: Hearing Is Believing (Boxholder)
  • Harry Allen: Hits by Brits (Challenge)
  • Jason Kao Hwang/Edge: Stories Before Within (Innova)
  • Tom Teasley: Painting Time (T&T Music)
  • Brad Leali Jazz Orchestra: Maria Juanez (TCB)
  • The Joe Locke Quartet: Sticks and Strings (Jazz Eyes)
  • Vince Seneri: The Prince's Groove (Prince V)
  • Ernest Dawkins' New Horizons Ensemble: The Messenger: Live at the Original Velvet Lounge (Delmark)
HM [**]
  • Rob Brown Trio: Sounds (Clean Feed)
  • Marty Ehrlich & Myra Melford: Spark! (Palmetto)
  • The Rocco John Group: Don't Wait Too Long (COCA Productions)
HM [*]
    B
      Duds
      • Maria Schneider Orchestra: Sky Blue (ArtistShare) B
      • Nicole Mitchell's Black Earth Ensemble: Black Unstoppable (Delmark) B-
      • Christian Scott: Anthem (Concord) B-

      Album count: 42; Word count: 1671 (graded 24: 1277; additional 18: 394).

      Note: Previous column totals by section:

      JCG 17   2 13 17  3  1597
      JCG 16   2 11 11  3  1360
      JCG 15   2 11 15  4  1578
      JCG 14   2 11 14  4  1504
      JCG 13   2 11 16  4  1528
      JCG 12   2 11 16  4  1553
      JCG 11   2 10 17  3  1507
      JCG 10   2  9 16  4  1607
      JCG  9   2 11 16  3  1549
      JCG  8   2  9 18  4  1575
      JCG  7   2 10 12  5  1660
      JCG  6   2 13 12  3
      JCG  5   2 12 16  4
      JCG  4   2 10 15  5
      JCG  3   2 12 10  5
      JCG  2   2 10 12  7
      JCG  1   2  9 12  4
      

      Prospecting

      I try to write up an informal note on every jazz record I hear the first (or sometimes second) time I play it. Those notes are collected over the course of a week, then posted in the blog. They are also collected here.

      Surplus

      The surplus file collects final notes when I decide that I cannot realistically keep a record under active consideration for the Jazz Consumer Guide. These notes are mostly written at the end of a JCG cycle and posted to the blog when the column is printed. In effect, they are the extended copy to the column. There are various reasons for this. For especially good records, it is often because Francis Davis or someone else has already reviewed it and my two cents would be redundant. For old music it is often because I wrote something in Recycled Goods and figure that was enough. Sometimes good records have just gotten old. Most of the time the records aren't all that interesting anyway. I can handle 25-30 records per column. It just doesn't make sense for me to keep more than 60-80 graded records in the active list at the start of a new cycle. In many cases, I decide the prospecting notes or Recycled Goods review suffices, so note that in the file.

      Pending

      Working on the following (both new and old). When done they will go to the print or done or flush file. When the column is published, the done entries will be dumped into notebook.

      Pending: New

      Pending: Old