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An occasional blog about populist politics and popular music, not necessarily at the same time. LinksLocal Links My Other Websites Music Politics Others Networking Music DatabaseArtist Search: Website SearchGoogle: Recent Reading
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Monday, July 17, 2017 Music Week
Music: Current count 28428 [28390] rated (+38), 364 [361] unrated (+3). Sad to note that Joe Fields, still active at 88, died last week. Since the 1960s, when he started out with Prestige Records, he has been responsible for an extraordinary number of great mainstream jazz records. He founded a series of labels -- Cobblestone, Muse, Onyx, High Note, and Savant, running the latter two with his son Barney since 1996. Along the way he cultivated many artist careers -- perhaps most notably, Houston Person started with him at Prestige and followed him through Muse and High Note. If Fields had a signature, it was picking up artists discarded from major labels and giving them second (or third) careers. Pending queue only has six albums in it, including the four that arrived last week. I only reviewed three records from CD last week (two came up A- after I played them a dozen or more times -- the other A- got three spins on Napster). Still, a pretty high rated count, so not much else got that kind of attention -- and the six EPs went especially fast. As promised, I got into the download queue last week: 10 albums, mostly from ECM, none as good as Craig Taborn's Daylight Ghosts last week. I probably have another dozen saved up, and could dig up more if I went through my mail (although some may have expired). A few of the items below came from mid-year lists by Phil Overeem and Matt Rice (linked to last week). Others came from thumbing through the August DownBeat. The latter has their 65th Annual Critics Poll results, which I voted in and annotated my ballot back in April. Especially pleased to see Don Cherry and Herbie Nichols added to their Hall of Fame (along with George Gershwin and Eubie Blake -- no complaints there either; the latter three came from their Veterans Committee). The category winners -- minus a few I care less about; RS = Rising Star; in parens: first number is my 1-2-3 pick (if winner on my ballot), otherwise my pick and finish (if on list); ergo: (1) means my pick won:
Looking back, several of my picks were just whims. I probably should have voted for Bloom over Newsome, and I can't fault De Johnette (cf. this week's record -- drumming is amazing there, something I can't imagine anyone else matching) or Revis, or begrudging any recognition of Barron. Rempis started on alto, but I think his tenor sax is his main instrument now -- still, I don't think of him on baritone at all, so that came as a surprise. Two of my picks were write-ins (Schweizer and Salamon -- both serious ballot omissions), so of course they didn't finish. Smith and Halvorson also won other categories, so they were featured in articles. Preminger was well down my list at tenor sax (a long list), but he's put together a fine series of relatively mainstream albums (two A-, one ***, two **), so I shouldn't be surprised that he's getting some recognition. I also credit Mahanthappa with six A- (or in one case A) albums, so he's a pretty reasonable pick (albeit in a real competitive category: Carrier has 10 A- records, Anthony Braxton 19, Steve Lehman 5 + 3 in Fieldwork + 1 with Mahanthappa [the A], not that I counted before voting). Continuing to make progress on compiling my jazz reviews into two guides: a haphazard retro-survey of the 20th century, and a somewhat more systematic guide to post-2000 (21st century) jazz. I started by collecting the reviews from their various column sources into a huge text file. Since then I've been scanning through my database files, adding dates and instruments where I had them, pulling out whatever reviews I had, and adding any other rated but unreviewed records. It took many weeks to work through Jazz '80s-'90s (1516 artists). Since then, I picked up three much shorter files: Latin Jazz (147), Pop Jazz (249), and Avant-Garde (156). The pop jazz list was rather depressing, as it is far from comprehensive: in fact, mostly concentrated in the early Jazz CG days (2004-06) after which it became clear that I wasn't likely to review those records favorably. It would probably be easier to cut them out than it would be to cover them anywhere near as comprehensively as I cover mainstream and avant jazz. One saving grace was that it lowered the grade curve, although probably not significantly. The "avant-garde" list was more interesting, but again is far from comprehensive. The definition I tended to follow was AMG's genre classification, which itself stradled minimalism, experimental rock, and modern (or, a term I prefer, post-classical) composition, but only rarely avant-jazz. I tried to take an interest in such music back in the 1970s, so one thing I noticed was that several dozen LPs I vaguely recall never got into the database (e.g., I probably had five or so albums by Karlheinz Stockhausen, but none were listed). On the other hand, the "shopping list" included quite a few albums from Kyle Gann's 1998-99 Consumer Guides -- most by people I hadn't heard of otherwise. The compilation files are now up to 746 pages (20th century, 288k words) and 827 pages (21st century, 403k words). There are a few odds and ends that I've been including but were tucked away in odd database files (e.g., Astor Piazzolla in "latin," John Fahey in "folk"), but basically the 20th century compilation is about as large as it's going to get. Page sizes are different, but that probably makes it about 25% of the size of The Penguin Guide to Jazz Recordings -- a human impossibility to match. On the other hand, the 21st century book will continue to grow, perhaps considerably. The Jazz (2000-) file will add 2248 artists, and Vocals (2000-) has another 484 artists. Back in April I estimated that I might have the compilation done sometime from August to October. Looks like the most I can do in a day is about 150 artists, so I'm looking at another 20 days actual work time -- for various reasons I've had trouble spending more than 4 days/week on this, so let's figure another 5 weeks. Labor Day? Maybe. Not sure what happens then, but I'll try to convert it to some distributable format. Still needs a massive amount of editing to be publishable. Don't know when/if that will ever happen. New records rated this week:
Recent reissues, compilations, and vault discoveries rated this week:
Unpacking: Found in the mail last week:
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