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Q and AThese are questions submitted by readers, and answered by Tom Hull. To ask your own question, please use this form. February 23, 2025[Q] I wish to send over new music and figured this email, which you provided on your site, would be the best bet. I'm just wondering are mp3 files ok to send over? If not, what is most convenient for you? I.e. Spotify or YouTube or any other links. Furthermore, if I were to provide a not-too-long bio of the artist concerned (ourselves) would you prefer this be in the email or as an attachment? I can and will gladly send over a CD of our music if you would rather, but I figured that if you do regularly check email submissions that this would be a more convenient and cost-effective option. -- Jamie (Polyfillas) [2025-03-23] [A] I should probably write up some new guidelines for how best to get me to review your music, but I'm going through yet another unsettled bit of time when I'm not even all that sure I want to review any more music, so why make it easier? Still, when someone writes a letter as nice as this one, I feel like I should respond. And I figure it would be good to register the answer here, as this is quite possibly a question that someone else might consider asking. First, let me make a distinction between artists I'm familiar with and ones I'm not. For people I'm familiar with (and like), I'll probably notice, and may make some extra effort to follow up on. If you're not known to me, I'll probably delete your message quickly, unless you make it personal, with some details that I care about. I get 50-100 emails every day, and dispose of most of them immediately. (I do regularly check my spam directory, because the algorithms suck, but only look at titles there, because anything more is too much work.) Some attachments may be benign enough that my mailer will include them when I open the message. Otherwise, the chances that I will open an attachment are near-zero. A good rule of thumb is don't attach anything unless I ask for it. You can send me a link to download, or a Bandcamp access code. In those cases, I'm likely to save the email in a "Downloads" directory, but I'm not very likely to do anything with it. Otherwise, I delete nearly all non-personal promo email. I will assume that if/when I need it, I'll be able to look up any bio or other info I need. (For jazz and archival records I like to have the recording dates, and frequently spend a lot of time trying to figure that out.) If your full record is already out on streaming platforms -- I use Spotify and Napster -- or Bandcamp, you might note that, and I might even follow up immediately (if I'm sufficiently intrigued). Streaming sources are easier for me to use than downloading files (although they rarely come with adequate documentation). Advances rarely do me any good. I don't like reviewing things before they're available. If you send me a CD, I will note receipt under "Unpacking," and put it in a queue, which I will eventually listen to and write up. (I am able to play 12-inch vinyl, but don't favor or recommend that.) That's the only way to guarantee I'll cover something. There are some other less tangible benefits to playing CDs -- they sound better, and I don't have to be near the computer when I listen -- but those things only matter if the record is good enough to merit extra listens. I got more junk than I can store, so I don't need unnecessary clutter. (I've never got the hang of selling or otherwise disposing of my excess, so I don't need more.) The mail address is under Contact. I haven't undated my Music Critic, Emeritus file since 2014. While I should, not all that much has changed. After I wrote that file, most publicists dropped me, but a few kept sending me CDs, and I figured as long as they did, I'd keep writing my puny little notes, as some kind of public service. I've made up the slack by taking notes on streamed or downloaded files. The 2024 Music Tracking file shows I've reviewed 335 CDs and 1072 streamed albums released in 2024, which is not quite my highest total ever, but more than most years, and more than I planned. I'd be surprised if I ever did that much again, but I won't make any predictions. [Q] I had a conversation with an individual who was supporting the drastic federal budget cuts because of the need to reduce the national debt. Besides his point that the debt is a threat to our national financial security, he mentioned the fact that most international currencies are based off the dollar so that if our finances go permanently upside down, they could wreck the whole world's economy. That doubles the need to attend to budget cutting in the current administration. Could you give me some thoughts and references to address this claim? -- Greg Morton, Idaho [2025-02-10] [A] This is the sort of policy question I've been hoping to field questions on, but monetary policy is the part of economics I'm least interested in, and as such know the least about. As such, I tend to take my clues indirectly from others. There is clearly a huge amount of hypocrisy in the politics of debt, as was as much as admitted when Nixon declared that "we are all Keynesians now" and Cheney insisted "deficits don't matter." As if that wasn't clear enough, Greenspan spent the entire eight Clinton years hectoring him into running a surplus, then as soon as Bush became president, he testified in Congress about the urgent need to eliminate the surplus through Bush's tax cuts. And after Bush permanently red-lined the deficit and crashed the banking bubble, Republicans rediscovered the usefulness of debt hysteria in their effort to prevent the economy from recovering under Obama, who McConnell vowed to bury as a "one-term president." So pretty much everyone agrees that deficit spending is an engine of economic growth. The initial rapid recovery from the Depression of 1929-34 was driven by deficit spending. The point was driven home even more dramatically during WWII, and military spending as well as massive public works kept the US economy growing dramatically through 1970, and to a lesser extent during the Reagan-through-Obama years. On the other hand, FDR's effort to balance the budget in 1938 led to a Second Depression, and Clinton's balancing, although initially masked by the speculative Internet boom, produced another slump in 2001. Meanwhile, much larger public sector spending in 2008 limited the crash, which started on the same trajectory as 1929, before the "automatic stabilizers" kicked in. Nobody honestly doubts any of this. What may be debated is how much deficit spending is preferable, and how does it fit in with inflation, which is also a matter of some being better (for most people, and the economy as a whole) than none, but too much being worse. (The Fed has customarily pursued a target of 2% inflation, although as a regulatory agendy largely captive to the banking industry, one may suspect their motives in keeping it that low.) A bunch of other factors come into play here, and it's not something I find it terribly useful to go into depth in. But suffice it to say that most of the anti-deficit arguments are specious attempts to exploit your naivete or ignorance for nefarious political reasons, usually to impose an austerity regime to prevent government from helping the great majority of its citizens. Over the years, I've read scores of essays on debt questions, many from Paul Krugman. I figured it would be easy enough to cite something by him, but chances are you'll find one or both of these behind a paywall: Why You Shouldn't Obsess About the National Debt [2024-06-06]; The Cowardice of the Deficit Scolds [2023-05-08]; and Federal Debt: More Than You Want to Know [2025-02-23]. Personally, I suspect that Krugman himself errs on the sides of the deficit scolds, and that the ideas behind Modern Monetary Theory (also see this explainer) have more merit than Krugman has ever acknowledged. Another, evidently more balanced, piece you actually can read is Dean Baker's Should We be Worried About the Deficit Now? [2023-11-13]. Circling back to your original argument, beware that lots of complaints about deficits are really covert arguments against spending money on something specific that bothers the plaintiff: often welfare, or education, or social services -- very rarely on things that we actually do spend too much on, like arms, or jails, because the people who are critical of them are usually aware that those are things to oppose spending on with principle and not through stealth arguments about what we can afford. The agenda behind deficit hysteria is almost always austerity. If not, they would be equally open to raising taxes, which almost none of them are. [Q] Hi Tom, I've been on an Armstrong binge lately and appreciate your recent reviews of several of his compilations. I looked on your site and didn't see reviews of the following so I'm wondering what you think of these: Satchmo Plays King Oliver LP (reissued on CD as The Best of Louis Armstrong, Audio Fidelity label), Disney the Satchmo Way, and Louis Sings for the Angels (Verve)? -- Joe Yanosik, New York [2025-02-17] [A] I've played those now, and they'll appear in Music Week, as well as the February Streamnotes archive (along with a couple more). It's relatively difficult to keep track of what one has and hasn't heard from an artist like Armstrong, given the high degree of redundancy in his catalog: he started 30 years before LPs, so the early material has all been picked up in various compilations, and later material has been relicensed, anthologized, and/or simply bootlegged to a large extent. [Q] You railed about Trump and the GOP forever and now with things spinning out of control on a daily basis you have nothing to say. I'm sure you have something to say?? -- Robert Moeller [2025-02-18] [A] My initial response to this was:
I quoted this letter in Music Week, where I commented:
I added a PS to a reply:
I might have added that that "MAGA" always seemed like a mere cult of personality, while Trumpism now seems to have emerged as a coherent ideology and plan of action. (I'm not saying that Trump's followers understand and approve of this ideology, but many of them are taking the first steps in moving beyond personality -- the blind faith that "Trump will fix it" -- to partisan action. Unfortunately, the best historical examples are the cadres motivated by Hitler -- an unfortunate analogy that won't go away until we find a better way of talking about it.) Moeller kindly replied:
I don't really have a response to this, or maybe I just have too many to bother with. I don't think it does much good to try to anticipate the limits of Trump's power, let alone his will, which will surely be significant. I'm not worried about Social Security, or about America's "allies," or about "cozying up to Putin," as those particular aberrations strike me as oversteps -- either because he doesn't have that much power or because the opposition has ample strength to resist. I worry more about what already falls within his authority, and about the example he sets for his goons and fans. And, of course, for the inevitable disasters he won't be able deal with competently because he doesn't have the temperament, the skill, or the simple decency of concern. Along these lines, I got another letter from Claudio Vedovati which can serve as a coda here:
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