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Wednesday, March 12, 2025

Daily Log

I added an answer"> to my Q&A file today: a reader (fairly well known to me) asked about my tastes in fiction, so I did my best to come up with an answer (even though it's mostly that I don't have any). I also added a postscript to Music Week. Since I hadn't updated the notebook to include the intro, I'll pick that up under the original posting date.


I clicked on a piece by Evgenia Kovda: [03-12] Against Nihilism: "Politics in the age of stupidity. Against the senile vibe shift." While there is something to be said for labeling contemporary Republican political thought as "nihilism," and for that matter seeing corrollaries between Trump's wanton destruction of the US public sector to the dismantling of the Soviet system in the 1990s, I'm not making a lot of sense out of this particular article. I see now that one source of my confusion is that I don't recognize what "Red Scare" is (seems to be a podcast? this led me to a whole article on Sanders-Trump voters, which is relevant to my research interest).

Tuesday, March 11, 2025

Daily Log

Pleased to see that when I got up, my number of Bluesky followers has grown from 23 to 54. A look at the list reveals only a couple familiar names.

Added to the list that I'm following: John Ganz, Glenn Kenny, Jamelle Bouie.

Main project today is to take Sunday's leftover brisket and make a small meal out of it, for Janice and Tim. We had invited them Sunday, but the message didn't get through, so I didn't fix any extra dishes. We don't really have enough leftovers, so I'm scrambling to add some sides and dessert. Pantry isn't very well stocked for this, but I have a small (1 lb) cabbage, and some carrots. I can make tzimmes out of the latter. I thought about cooking the cabbage, and found a recipe with sour cream, but finally thought better, and turned it into mustard slaw. For dessert, I'm thinking black & white cookies, with ice cream. I've never made the former, which involves mixing up the dough and piping it (another skill I should have but never got the hang of), baking the cookies, making and spreading two batches of icing.

I thought the brisket came out too salty -- I didn't account for any salt in the pre-packaged marinade, which seems to have been substantial -- so I covered the leftovers with water, then drained it off. I think it will be ok. [PS: It was. Carrots and slaw both came out very good. I added golden raisins to both, and did the carrots with lemon juice instead of orange, adding cinnamon and nutmeg. Didn't make a lot, so all gone. Cookies also came out very good.]

Monday, March 10, 2025

Music Week

Expanded blog post, March archive (in progress).

Tweet: Music Week: 45 albums, 7 A-list

Music: Current count 43814 [43769) rated (+45), 34 [38] unrated (-4).

Added a postscript below.

Supposedly on the mend, although the left eye feels a bit worse than it did a week ago, or maybe I just expected better, so I'm more troubled by the twitches and flashes. I have discontinued the 7-day eye drops, leaving me with just the prednislone. Still a couple weeks before I see the doctor again. Until then, no schedule for the right eye.

It's hard to say that anything personal is back to normal in what is evidently an extremely abnormal period in American history. I'm not back to following the political world in any detail, but I have signed up for a Bluesky account, where I am following 25 and have 33 followers. I salted my following list by looking at Robert Christgau's, which gave me a couple of political sources and more friends and music critic colleagues. My wife's list yielded some more of both, but she's only following 31, with 23 followers (but pretty inactive with just 2 posts).

For whatever it's worth, my current list of political oracles is: Ryan Cooper, David A. Graham, Doug Henwood, Kevin M. Kruse, Scott Lemieux, Adam Serwer, Astra Taylor, and NonZero. There's a good chance that I would add any of the people I currently follow on X if I ran across their handles (especially if you let me know who you are; I've searched for a couple, but thus far to little avail).

For my own part, I've made 22 posts to Bluesky, which includes 18 original posts, 2 self-replies, and 2 more replies, so I'd like to think there is some value in following me there. Since setting up my account there on Feb. 13, I've made 8 posts on X, and 2 replies. My current thinking is that I'll continue to post blog announcements and make occasional replies on X, but will make a bit more effort on Bluesky. In particular, I've started posting notices when I come up with A/A- grades, as opposed to making you wait for Music Week. I may at some point extend this to a few lower-graded albums, but this week the pick hits have been coming so fast I haven't been tempted.

Of course, I don't mean to discourage you from following me on X: I have 625 followers there, but my last five posts have view counts in the 76-88 range (with 1-3 likes per post, and 1 total reply), so that number doesn't seem to mean much. I do find that even when I use their algorithmic "For You" feed, most of what I find there is still useful. It's only when I wander into the replies lane that I see any indication that it's become a cess pool of rage and inchoate thought. For instance, at the moment, I'm seeing in my "For You" feed: Nathan J Robinson, Eric Levitz, Rick Perlstein, Keith Gessen, Yanis Varoufakis, Samuel Moyn, Ian Millhiser, Kate Willett, Jeremy Scahill, and a half-dozen names I don't recognize but welcome. (I cut the list short at Max Blumenthal and Jeet Heer, who are less reliable but sometimes interesting.)

The big advantage I see Bluesky having over X is readers can follow links instead of having to separately google titles. My first idea there was to use it to recommend thoughtful articles, as I have done for years in Speaking of Which. I did a couple of those, and expect I will do more, but I haven't read much worth reporting after the first two. (Probably my oversight, as bad times tend to write themselves.) So much of what I know I pick up from X and Bluesky. And while I'm nowhere near reviving weekly political reviews, I've written Daily Log bits in my notebook every day from March 5 through yesterday. Nothing terribly important there, but I am thinking about a few things.

The one "normal" thing I did last week was listen to a lot of music. I'm not really done with 2024 yet, but I found it easier to pick 2025 CDs out of the promo queue than look for 2024 stragglers, so just went with it until I accidentally played a couple that aren't out yet. After I caught up, I finally opened my mail, and fell way back behind again. So the 2025 list is finally real, even though I haven't frozen the 2024 list yet. (Maybe next week. I figure I'm best off kicking this post out first.)

Also advancing, but not absolutely finished, is the 2024 EOY Aggregate list. Main thing I did last week was to add a bunch of Uproxx Music Critics Poll voters, which pushed the Metafile Legend list up to 610 sources. My first pass was to just pick out all of the names I had counted in previous years, but then I decided to explore a bit, so I picked out a few albums that struck me as underrated, then checked the voter list for each, and added some (or all) of them. Main thing I wanted to do was to nudge the totals toward more hip-hop. The biggest list I focused on was Doechii's 10th place Alligator Bites Never Heal -- only a B+(***) album for me, so not a big favorite of mine, but I thought it might reveal a little more underground interest than Kendrick Lamar and Tyler, the Creator (both same grade for me) -- which for now at least pushed the album from 7th to 4th place (behind Charli XCX, Lamar, and Beyoncé, passing MJ Lenderman, The Cure, and Waxahatchee). I also did a bit with Sabrina Carpenter (still in 13th, but -4 now vs. -27 last week).

I just checked, and see I'm no longer blocked from Facebook (but had to jump through some hoops to login). I'm still upset, and not likely to be posting anything there in the near future, but it was nice to see some updates from true friends. I logged in from a different machine than the one I'm writing on, which should also cut down on my activity.

I've made next to no progress on my planning documents. It's hard to develop any enthusiasm for attempting much of anything. Which may be a good thing if all you're interested in is music reviews, because that seems to be the path of least effort.

PS [03-12]: I was pleased to see that my number of Bluesky followers increased from 33 to 56 the day after I posted this. I haven't posted anything new there since the notice, but I figure if I add a postscript, I can post the notice again. I can also post a notice to my answer to a question about my embarrassingly paltry reading of fiction. Good question, and I'm likely to jump on anything that gives me a chance to write a bit of memoir -- which is arguably what I should be doing, instead of fretting about social media followers.

No new A- records yet this week, although I have a couple high B+ albums (Rodney Whitaker, Jim Snidero). While those albums don't quite do it for me, they are almost certain to strike a chord with some of my readers. Some of my favorite records from the 1970s were Christgau B+ grades: two in particular he sent me promos of, perhaps suspecting I would fall for them (Overcoats, by John Hiatt; Hirth From Earth, by Hirth Martinez; I wasn't quick enough to write about them in the Voice, but I did write about them in Terminal Zone, and I reviewed Martinez's second album in The Voice). My high B+ albums from 2024 include a bunch that topped other critics' lists, like: Kendrick Lamar, Beyoncé, Doechii, MJ Lenderman, Adrian Lenker, and Tyler the Creator -- before rechecks and upgrades also: Charli XCX, Waxahatchee, Sabrina Carpenter, and Vampire Weekend. Among the top 20 in my EOY Aggregate, my only initial A- reviews were for Billie Eilish, Kim Gordon, and Patricia Brennan, followed down to 50 by Hurray for the Riff Raff, Beth Gibbons, Charles Lloyd, Jamie XX, Amyl and the Sniffers, and Kali Uchis.

One reason I haven't generated much news this week is that we went a couple friends' house for dinner after posting Monday, then I served a small dinner for another couple on Tuesday. Both led to long, fraught political discussions, as both couples are more activist-inclined than we are (especially me). I remain convinced that much of what Trump is doing is simple gaslighting, meant to drive his opponents crazy fighting against impractical, untenable proposal flares. However, with Trump it's hard to tell what is real and what is not, since both agendas are heavy on stupid and/or insane. It's going to be a long four years. And maybe not yet now, but November 2026 will be a key date to try to limit the damage by flipping Congress (and gaining more traction in state and local races). Until then it's important to expose what they are doing, and to highlight the bad faith, shoddy thinking, and blatant corruption they're operating with.

No pics on the Tuesday dinner, which was a pretty minimal effort, with no extra shopping. The main dish was leftover brisket, delicata squash, and sweet potatoes, which I had initially cooked Sunday. I had very little available to complement it, but made mustard slaw from a small head of cabbage, and sliced some carrots for tzimmes (braised in lemon juice -- recipe called for orange -- with extra spices and golden raisins. For dessert I made black & white cookies, and served them with ice cream. Aside from the slaw, those were all first-attempt dishes, and came out very nice. (Well, the brisket was a little weird: I bought one of those packages already prepared for making corned beef, without realizing how much salt was already in the marinade, so first pass came out like corned beef with a surreal amount of salt and spice -- not something my wife was inclined to complain about, but I'm usually pretty good at pushing the seasonings up to a level just shy of too much, and this time I overshot. I soaked and drained the leftovers, which brought the salt back within normal range.)

I might as well note here that Christgau's March Consumer Guide appeared today, and it's mostly stuff I wasn't aware of. The exceptions were three albums I played once (or maybe twice) and filed as various shades of B+: Marshall Allen's New Dawn, GloRilla's Glorious and Mdou Moctar's Funeral for Justice. I should circle back around, but will note that I've rated four previous Moctar albums at A-, whereas Christgau has only previously reviewed one Moctar album (at ***). Also I had GloRilla's other 2024 album (er, mixtape, Ehhthang Ehhthang) at B+(***), a notch above Glorious, but I couldn't swear either way.

As for Allen, my footnote is that he recorded two other albums shortly before his 100th birthday, and both of those made my 2024 A-list: Deep Space, by John Blum Quartet Featuring Marshall Allen, and Lights on a Satellite, by Sun Ra Arkestra [Under the Direction of Marshall Allen]. So I count myself as a fan, but I wasn't all that impressed by New Dawn. Still, I'm pleased he was.

I'll get to more of those records next week. I was aware that the Charly Bliss record existed, and thought about playing it on a couple occasions, but forgot how much I liked their second album. Towa Bird was on three EOY lists, but too low to catch my attention. Aside from Allen, the 2025 releases were all news to me. FACS seems to be related to a 2009-16 group I liked, Disappears -- check out Pre Language (2012).


New records reviewed this week:

  • Ambrose Akinmusire: Honey From a Winter Stone (2023 [2025], Nonesuch): [sp]: B+(**)
  • Steve Allee Big Band: Naptown Sound (2024 [2025], Jazzville): [cd]: B [03-15]
  • Marshall Allen: Red Dawn (2025, Mexican Summer): [sp]: B+(*)
  • Russ Anixter's Hippie Big Band: What Is? (2024 [2025], self-released): [cd]: A-
  • Barry Can't Swim: When Will We Land? (2023, Ninja TUne): [sp]: B+(***)
  • Tim Berne/Tom Rainey/Gregg Belisle-Chi: Yikes Too (2024 [2025], Screwgun/Out of Your Head, 2CD): [cd]: B+(***)
  • Benjamin Booker: Lower (2025, Fire Next Time/Thirty Tigers): [sp]: B+(**)
  • Alan Chaubert: Just the Three of Us: Me, the Trumpet and the Piano (2021-23 [2025], Pacific Coast Jazz): [cd]: B+(**)
  • Chlöe: Trouble in Paradise (2024, Parkwood/Columbia): [sp]: B+(***)
  • Alex Coke & Carl Michel Sextet: Situation (2024 [2025], PlayOn): [cd]: B
  • Liz Cole: I Want to Be Happy (2024 [2025], self-released): [cd]: B
  • Sylvie Courvoisier/Mary Halvorson: Bone Bells (2024 [2025], Pyroclastic): [cd]: A- [03-25]
  • Ermelinda Cuellar: Under a Lavender Sky (2024 [2025], self-released): [cd]: B+(*)
  • Deepstaria Enigmatica: The Eternal Now Is the Heart of a New Tomorrow (2022 [2025], ESP-Disk): [cd]: A-
  • Jorrit Dijkstra: PorchBone (2023 [2024], Driff): [bc]: B+(***)
  • Kenyon Dixon: The R&B You Love (2023, self-released): [sp]: B+(**)
  • Doseone/Steel Tipped Dove: All Portrait, No Chorus (2025, Backwoodz Studioz): [sp]: B+(**)
  • Paul Dunmall: Red Hot Ice (2024, Discus): [sp]: B+(**)
  • Paul Dunmall/Kevin Figes: Duos (2022 [2024], Discus): [sp]: B+(*)
  • Joe Elefante: Joe Elefante's Wheel of Dharma (2024 [2025], self-released): [cd]: B+(*)
  • Ensemble C: Every Journey (2024 [2025], Adhyâropa): [cd]: B
  • Satoko Fujii GEN: Altitude 1100 Meters (2024 [2025], Libra): [cd]: B+(***)
  • Daniel Garbin: Rising (2023 [2025], 6x20): [cd]: B+(*)
  • LP Giobbi: Garcia (Remixed) (2024, Round): [bc]: B+(**)
  • Philip Glass: Philip Glass Solo (2021 [2024], Orange Mountain Music): [sp]: B+(***)
  • Keiji Haino/Natsuki Tamura: What Happened There? (2024 [2025], Libra): [cd]: A-
  • Jon Irabagon: Server Farm (2023 [2025], Irabbagast): [cd]: B+(***)
  • Rodney Jordan: Memphis Blue (2020 [2025], Baxter Music): [cd]: B+(***)
  • Laura Jurd & Paul Dunmall: Fanfares & Freedom (2023 [2024], Discus): [sp]: B+(***)
  • Karl Latham: Living Standards II (2024 [2025], Dropzone Jazz): [cd]: B+(*)
  • Steve Lehman Trio + Mark Turner: The Music of Anthony Braxton (2024 [2025], Pi): [cd]: A-
  • John Mailander's Forecast: Let the World In (2024 [2025], self-released): [cdr]: B+(**)
  • Michi: Dirty Talk (Stones Throw) ** [B+(*)]
  • Jackson Potter: Small Things (2024 [2025], Shifting Paradigm): [cd]: B+(**)
  • Noah Preminger: Ballades (2024 [2025], Chill Tone): [cd]: B+(***)
  • Redman: Muddy Waters Too (2024, Gilla House): [sp]: B+(**)
  • Rick Roe: Tribute: The Music of Gregg Hill (2024 [2025], Cold Plunge): [cd]: B+(**)
  • Gina Saputo: Daydream (2024 [2025], GSJQ Productions): [cd]: B+(**)
  • Mark Scott III: Soft Light (2024 [2025], Miller Three Publishing): [cd]: B+(**)
  • Sentient Beings: Truth Is Not the Enemy (2024, Discus): [sp]: B+(***)
  • Stress Eater: Everybody Eats! (2024, Silver Age): [sp]: A-
  • Omar Thomas Large Ensemble: Griot Songs (2024 [2025], Omar Thomas Music, 2CD): [cd]: B+(*)
  • Warmdüscher: Too Cold to Hold (2024, Strap Originals): [sp]: B+(*)
  • Simón Willson: Bet: Live at Ornithology (2024 [2025], Endectomorph Music): [cd]: B+(***)

Recent reissues, compilations, and vault discoveries:

  • Paul Dunmall/Paul Rogers/Tony Orrell: That's My Life (1989 [22023], 577): [sp]: A-
  • The Laws of William Bonney Saxophone Quartet: 1993-2007 (1993-2007 [2023], Aheulian Handwave): [sp]: B+(***)

Old music:

  • Jorrit Dijkstra/François Houle/Karlis Silins/Kenton Loewen: Coastlines: Music of Steve Lacy, Volume I - Quartets (2022 [2023], Afterday): [bc]: B+(***)
  • Jorrit Dijkstra/François Houle: Coastlines: Music of Steve Lacy, Volume II - Duets (2022 [2023], Afterday): [bc]: B+(*)
  • Kölner Saxophon Mafia: Die Saxuelle Befreiung (1984, Jazz Haus Musik): [sp]: B+(**)
  • Kölner Saxophon Mafia: Unerhört - Stadtklänge (1984 [1985], Jazz Haus Musik): [sp]: B+(***)


Unpacking: Found in the mail last week:

  • Nils Agnas: Köper Sig Ur En Kris (Moserobie) [03-14]
  • Archer: Sudden Dusk (Aerophonic) [04-18]
  • Jarod Bufe: Brighter Days (Calligram) [03-07]
  • Geoffrey Dean Quartet: Conceptions (Cellar Music) [04-04]
  • Lorraine Feather: The Green World (Relation) [03-28]
  • Nnenna Freelon: Beneath the Skin (Origin) [03-31]
  • Dave Hanson: Blues Sky (Origin) [03-31]
  • Jake Hertzog: Ozark Concerto (Zoho) [03-21]
  • Marilyn Kleinberg: Let Your Heart Lead the Way (Waking Up Music) [05-01]
  • Silvano Monasterios Venezuelan Nonet: The River (self-released) [04-04]
  • Matthew Muñesses/Riza Printup: Pag-Ibig Ko Vol. 1 (Irabbagast) [04-04]
  • Ben Patterson Jazz Orchestra: Mad Scientist Music (Origin) [03-31]
  • Juan Perea: Lightkeeper (Zoho) [02-07]
  • University of Nevada Las Vegas Jazz Ensemble 1: Let the Good Times Roll (Vegas) [03-01]
  • Chris Varga: Breathe (Calligram) [03-07]
  • WDR Big Band: Bluegrass (MCG Jazz) [03-01]
  • Rodney Whitaker: Mosaic: The Music of Gregg Hill (Origin) [02-28]
  • James Zito: Zito's Jump (self-released) [04-15]

Sunday, March 09, 2025

Daily Log

Saw this tweet from Finnegan's Take, a two-dimension chart under "Told my wife I felt bad for Marco Rubio being sad and we started talking about who in the right-wing world was having fun right now and who was miserable and this is what we came up with." Left-right dimension goes from "Primarily Stupid" to "Primarily Evil," with Donald Trump the arbitrary midpoint. (Actually, Trump is off the scales in both dimensions, so this is just a design trade off.)

The vertical spread was between "Having a Great Time" and "Having a Bad Time," with RFK Jr. near the top (and about 30% toward stupid), and Rubio near the bottom (and about 60% toward evil). JD Vance got the far upper right corner (great time + evil). Trump scores about 70% happy here -- which again is a rather arbitrary design decision. Two foreigners (not counting Musk) made the plot, both in the happy/evil quadrant: Benjamin Netanyahu (evil, but way underrated at about 20%, and 40% happy), and Vladimir Putin (40% evil, 80% happy). As for Musk, his 40% stupid makes some sense, but I'd put his "great time" score a bit above Trump's.

Saturday, March 08, 2025

Daily Log

Kevin Kruse pointed to this thread by Angus Johnston:

My very strong suspicion is that the left/right axis and the fight/don't-fight axis are in the process of unlinking, and that the fight/don't-fight split is emerging as the core struggle in the Democratic Party.

I naturally recoil both at the use of "axis" and fight metaphors. The former not only has historical associations, but even in its purely technical meaning, it shows a readiness to reduce complex wholes to linear points -- which you can do with left/right only if you define the line narrowly, using commitment to equality as a gauge. (The left would use political power to equalize wealth; the right would use its power to fortify and perpetuate hierarchy, seeing inequality as naturally generated by markets.)

But "fight" could mean lots of things, including violence, which gets us into "situational ethics" -- the notion that some actions are justifiable in some situations but not in others. We needn't go into that here, but I question the notion that "left" has ever been aligned with "don't fight." Sure, leftists eschew violence, both on moral and (most of the time) on political grounds, but self-conscious leftists have always been more activist, and more principled, than mere Democratic-leaning voters. We've also been conscious of our weakness, and therefore willing to compromise and support supposedly more viable "moderates," as we've done in campaigning for Biden and Harris. But seeing as how self-sacrifice to the "moderates" has failed, leftists still have principles and tactics to oppose the Trumpist regime.

Johnson continues:

The thing about "we should have caved on trans rights" and "we lost because of Latinx" isn't just that they're wrong -- although yes, both are horrifically wrong. It's that even if they were right, they'd be irrelevant to defeating the Trumpist attack on democracy and the federal administrative state.

The "my mom hasn't gotten a Social Security check in seven weeks, my cousin lost his job at the VA, and my neighbor's kid's cancer drug trial was cancelled right before the treatment went live" voter is the 2026 voter the Dems need to be laying the groundwork for landing right now.

And the way you land that voter is the way you get those Social Security checks and VA jobs and cancer trials back. You fucking fight.

And it's going to turn out that the left wing of the party is going to be overrepresented in the Fight wing, because the left wing of the party is more likely to be organizers, and more comfortable with the language and tactics that the moment demands.

But the first old white moderate guy to break ranks with Team Don't Fight and figure out how to grab hold of a week's worth of news cycles is going to make a VERY big splash.

And since folks are asking, no, the DNC doesn't have the power to stop this. The DNC itself has basically no power at this stage in an election cycle, and even the party's congressional leadership -- who are distinct from the DNC -- are largely without weapons in this kind of a fight.

2026 is going to see an insurgent wave within the Democratic Party. We're not going to have incumbent Dems getting thrown out of office for joining Team Fight -- the internal risk with the Democratic Party to officeholders in standing up to Trump right now is essentially nil.

Someone asked what Team Fight's affirmative message is. That's simple:

It's that Dems can be counted on to fight for the people who are being fucked over by Trump. To fight to fix what he's breaking, to build it back stronger and better, and to make sure no one like him can ever break it again.

In other words, it's Make America Great Again or Let America Be America Again -- whichever idiom works for you.

Among the comments, note this pair:

Benjamin Hartnett: I am a leftist but I am 100% in the fight Trump camp, whether that fighter is left, right, or center Dem. This one simple trick will win you leftist support, it's so easy!

John Nemeth: And I'm a moderate Dem who increasingly cares less and less about little policy differences between left and center and much more about who has courage and is pissed. Team fight.

I replied under Kruse:

I'm leery of anyone who says "axis" and/or invokes "fight" metaphors, but after a far worse loss in 2008, the Tea Party brought Republicans back, to win Congress in 2010 and (slightly rebranded) the White House in 2016 & 2024. They won by appearing principled and resolute, free of crippling "norms."

Friday, March 07, 2025

Daily Log

Eighth day since the cataract surgery, which means I can stop two of the three eye drops, and also stop using the shield over the eye when I sleep. Hard for me to gauge how effective the surgery was. I've only driven twice in the last week -- once last Friday, the day after, when I drove home from seeing the doctor, and again on Wednesday, when I went to dentist and afterwards to Dillons. Both were fine using my regular glasses. The expectation is that the left eye will see much better at distance, but that I will need glasses for reading. That may well be happening, but for now the unchanged right eye seems to be compensating nicely. The one thing I can say is that I haven't had any serious complications.

I have an appointment on March 31 to see doctor again, at which point they will probably schedule surgery on the right eye. I'll try not to worry about it until then.


Per Doug Henwood, Trump tweeted:

South Africa is being terrible, plus, to long time Farmers in the country. They are confiscating their LAND and FARMS, and MUCH WORSE THAN THAT. A bad place to be right now, and we are stopping all Federal Funding. To go a step further, any Farmer (with family!) from South Africa, seeking to flee that country for reasons of safety, will be invited into the United States of America with a rapid pathway to Citizenship. This process will begin immediately!

I commented (and I'll spell out the shorthand here, because I'm no longer under the gun):

There must be some way to weaponize this (and much more*), to drive a wedge between Trump and his xenophobic base, but Democrats won't (or can't). *E.g., his alien mother and wives, his sugar daddy Musk, Rupert Murdoch, right-wing Cubans; he's the most cosmopolitan president ever, but that's ok with his base because he's a bigot?

I'm not up to unpacking this, but I could add at least ten bullet points of elaboration, mostly on what Democrats can or cannot allow themselves to say about Trump and/or his base. And it's true that they need to walk a fine line here, and figuring out exactly how to do that isn't easy -- especially given the predeliction of the Trump base to suspect everything Democrats say as specious and redolent of their elitism. (Obviously, my vocabulary isn't right for the task. Trump speaks to his base as one moron to another, establishing a common bond that is hard to break, especially when you start from the assumption that you're talking to racist morons.)

I got a "preview" of The Nation's Elie Mystal's newsletter, "Elie v. U.S." While his section on "The Bad and the Ugly" seemed like useful news (although not really news, even to me), his section on "Inspired Takes" pointed me to an Adam Server piece, The Great Resegratation that looked useful, but was paywalled at The Atlantic. Still, a worse problem was "The Worst Argument of the Week," where he rants against Elissa Slotkin's counter-Trump speech, or more specifically her explanation of her motives as told to Tim Alberta at, yes, The Atlantic. When I saw his heading, it never occurred to me that his goal wasn't to identify one example of bad argument but to top it with a worse one.

The Slotkin comment he attacks is "It doesn't win elections to speak to just the base of the party," then after suspicious dots tacked on, "if it did, Kamala Harris would be president." We can debate the latter quip, but the former point couldn't be more obviously true, proven as much by Trump's win as by Harris's debacle. Mystal seems to be arguing that focus on base or others is some kind of zero-sum game: that her appeal to independents and disaffected Republicans cost her as many Democratic votes. But the Trump campaign made comparable efforts -- e.g., every time you saw a pic of Trump at the podium, he was surrounded by people wearing "Blacks for Trump" t-shirts -- and they proved if anything more effective (without seeming to have any effect on the ardor of his base. That Harris wasn't effective enough is beyond doubt. But that she should have written off the voters she needed to win in order to cater to ones she already had is really insane.

The mail came with a reply address, so I wrote back:

When I saw "The Worst Argument of the Week," I naturally assumed you would identify and critique some patently malicious argument. So imagine my surprise when it turned out to be, I'll see your argument and top it with one that's even worse.

One more quote from Mystal, in another falsely labeled section, "In News Completely Unrelated to the Ongoing Chaos":

My point is: if any Democratic candidate defended Luigi Mangione, that person would probably win the 2028 primary in a walk. My other point is that the American Republic, like the Rome of Julius Caesar, is in its death spiral, and it's going to get far more depraved and violent before the end.

His second point, sadly, is probably true. The first is highly dubious, because that's not the kind of people Democrats want to be. (Although the delight so many Democrats showed when Obama and Biden killed Al-Qaeda's leaders suggests that some of them are as deranged as the "voting to kill" Republicans.


Including yesterday, tweeted on Bluesky blurb/ratings for albums:

  • Steve Lehman Trio + Mark Turner: The Music of Anthony Braxton (Pi) [9]
  • Russ Anixter's Hippie Band: What Is? (self-released) [9]
  • Keiji Haino/Natsuki Tamura: What Happened There? (Libra) [9]

First one basically explained the concept: that rather than holding my cards until Music Week, I'll post a notice on Bluesky whenever I find an A-list album. I figured to save chars I'd use numeric grades -- A: 10, A-: 9, B+(***): 8, B+(**): 7, etc. -- although for now I'm just planning on 9+ (and, come to think of it, the numbers both seem more generous and less pretentious than the grades). There doesn't seem to be any way to get bold and/or italics, and I don't want to use quotes for titles, so I'm hoping context will suffice there. I'll add a brief note when I think of one, but won't try to recapitulate the review (see Music Week for that). But I can afford to add a link, especially when I find a Bandcamp page.

Thursday, March 06, 2025

Daily Log

Today's Bluesky article tweet (based on an article I wrote about yesterday):

Ezra Klein: A Theory of Media That Explains 15 Years of Politics: A disturbing interview with Martin Gurri, not just for what he knows about anti-news but as an example of someone led to make bad value judgments and still think he's thinking for himself.

I followed that with a self-comment:

Of course, it's not just the media messaging and massaging, but the people who have adopted it for their own purposes (ego, profit, power). Rs had the jump here because they've long seen news as purely instrumental. As Rove put it, they create reality, while Ds only observe it.

Looking for a succinct term for the way news of the world is reported across the whole internet, I came up with "anti-news," sensing it as a particle capable of colliding with and annihilating institutionalized reporters of news. I googled it, and came up empty, but did find some reference to "anti-media," which is the same idea less accurate. Surely the internet is media, even as it competes with other forms of media. While I imagine that my coinage will be intuitive enough, it would take a much longer essay to adequately expand on it, mostly because we first have to explain how news refers to the reporting, not to the events being reported, and that such news stories were always mental constructs of the reporters and institutions (not that there was any such thing before the 18th century).

Gurri's essential insight is that the internet, by removing nearly all of the barriers to becoming a news oracle, eroded the authority of established news vendors, undermining trust and creating a vacuum where everyone was free to pick whatever theories and facts most suited them. He seems to be pretty comfortable with this changed world, which predisposes him against those who are alarmed by such a cavalier disregard for truth. Hence, he embraces the right wing's "freedom of speech" histrionics, while seeing any efforts to counter disinformation as coercion and thought control.

I was going to mention that I've ordered a copy of Gurri's book, The Revolt of the Public and the Crisis of Authority in the New Millennium (2018), as well as another book that turned up in the same search: Christopher Lasch's The Revolt of the Elites and the Betrayal of Democracy (rev. ed. 1996). I read Lasch's early The New Radicalism in America (1965) and possibly his The Agony of the American Left (1969), but gather that he turned into some kind of cultural conservative in his later years -- the big books were The Culture of Narcissism: American Life in an Age of Diminishing Expectations (1979) and The True and Only Heaven: Progress and Its Critics (1991), but I never read any of his later work. However, his last book -- he died in 1994, and the book was published posthumously -- sounds like a trenchant, perhaps jaundiced, critique of the elites who by then had come to dominate the Democratic Party. (They are, of course, "liberals" in some sense of the word, but not of the left, where Democrats divide from Republicans not much in terms of class issues as social mores.)

I'm not sure when I'm going to find time to read these books, as reading's going very slow these days. On the other hand, these Daily Logs are getting longer.


I picked this quote up from a tweet, Tim Alberta in Atlantic on Elisa Slotkin's "response" to Trump's joint address (my bold):

Slotkin viewed the stakes somewhat differently: This speech could, at least symbolically, commence a new chapter of Democratic Party opposition to a president whose success is inextricable from the tone-deaf ineptitude of Democratic Party opposition. If her team's resistance to Trump's first term was marked by hysteria and hashtags -- all the land acknowledgments and pronoun policing and intersectionality initiatives -- Slotkin saw last night the opportunity to set a different tone.

Jamelle Bouie objected (I'm adding UC for readability, and a link for a term even I had to look up):

I'm sorry, I'm tired of this shit. There was no pronoun policing. I have encountered exactly three or four land acknowledgments in like ten years, and the most you'll hear about "intersectionality" is in liberal nonprofits. This is just freefloating resentment masquerading as analysis.

But the real problem is the bit I marked in bold, and Slotkin hasn't helped there in the least. Democrats don't know how to talk to regular people about Republicans and especially Trump, and Slotkin's change up is just much more of le même chose. Why is a long story, but one part is who they want to impress, and another is what they think will work. It's like they're still studying Hirsch's Cultural Literacy (as if nothing's changed in culture or literacy since 1987) and The West Wing (where an idealized Clinton always had the perfect Bible quote riposte -- although his usual solution to political problems was to bomb Iraq).

I figured I should look up some more comments on Slotkin's speech, but first, here's the full transcript. Actually, under the circumstances, I thought the speech was pretty good. It hit a lot of points very succinctly, and made clear the resolve of Democrats not to roll over and play dead while Trump trashes everything and everyone. Of course, I disapprove of her focus on "national security," and especially her credit of Reagan -- "peace through strength" was already a sick and tired cliché well before he read it off his teleprompter. The only credit Reagan deserves for "winning" the Cold War was that he let Gorbachev do his thing, rather than giving Soviet hard-liners reason to remove him when they could. It's not unheard of for politicians to try to usurp other party leaders for their own purposes -- one recalls how Republicans adopted Harry Truman as a Cold War saint -- but we're still paying for many of Reagan's "accomplishments," and there is a direct line from Reagan's conservatism to Trump's agit-prop. To fix what ails America today one needs to look past Trump and the Bushes to Reagan and Nixon, and start undoing much of what they did. (Not all: e.g., I would rather try to improve on Nixon's agricultural reforms than go back to FDR's, but reversion to FDR's banking and labor laws and income tax rates, while perhaps not ideal, would be an improvement.)

The other thing I should note is that Slotkin doesn't talk about any of the culture war phantoms the Atlantic writer (Tim Alberta) seems to expect Democrats to talk about. Most likely she didn't bring them up simply because they were relatively unimportant -- she cited dozens of things that have immediate adverse impact on most Americans, and on much of the world -- but perhaps also because she realized that Republicans talk about them mostly just to provoke Democrats into defensive and self-righteous caricature (and to distract them from talking about really widespread problems).

Some reference pieces on the Slotkin response speech (and, if I find any, on her opening act):

On Trump's speech:

Wednesday, March 05, 2025

Daily Log

I started today by posting this on Bluesky:

After the election, I wrote a long recap, and declared that the end of my Speaking of Which series, a weekly recap of things I found troubling. That is still a good guide to what's happened since (but scratch the false hope option, which was nothing more). Link

That took some rather extreme editing to get down to 300 characters, making me wonder how useful my plan is going to be. I explained the plan a bit in a self-reply:

Ran out of space there, so 2 pts: I'm not restarting SoW, but will try to link to a few pieces here, with short comments, and collate them later; see the piece for "false hope option," but it was a hypothetical path for Trump to solidify his win by doing sane things - not what he's actually doing.

My first link tweet:

Thomas B. Edsall: [03-04] Trump Is the Real Thing [aka "Vengeance Is His"]: Coming out of my coma, this is a succinct but severe wake-up piece, showing how his admin seeks to undermine law and order (trust), and the ways and means to resist, leading up to a powerful list of what we can expect, ending with "expect the worst."

In Speaking of Which, I would have quoted from the article, at least this conclusion:

Assuming that the past six weeks are predictive of what's next, expect an age of anxiety; expect the elimination of tens, if not hundreds, of thousands of jobs; expect the decimation of liberal institutions to go on for all four years of Trump's second term; expect government services to deteriorate; expect reduced funding of the safety net; and expect more homelessness, hunger and disease. Expect poverty; expect the financial starvation of universities and of nongovernmental organizations; and expect unannounced raids, unreliable data and an America increasingly aligned with authoritarians worldwide. Expect a pervasive climate of suspicion and a preoccupation with revenge. Expect more suffering, more fear, less security and less happiness.

In other words, expect the worst.

I would also have noted some of the articles noted:

Edsall, as is his custom, also collects and quotes emails from various experts, including Daniel Chirot, Fathali Moghaddam, Dan McAdams, and Steven Pinker, which go more into Trump's psychology. Normally I would frown on such speculation, but with Trump these matters are pretty close to the grotesquely exposed surface.

I'd probably also follow up on related links:

  • M. Gessen: [02-08] The Chilling Consequences of Going Along With Trump. Also: [02-15] The Barrage of Trump's Awful Ideas Is Doing Exactly What It's Supposed To. The author is eminently qualified for the job of misinterpreting Trump as Putin, and that's likely to prove a lucrative (if fruitless) sinecure. While I don't doubt that Trump's goals are as autocratic as Putin's, the author sorely misunderestimates the function of bad ideas in the Trump arsenal, which is mostly to provoke Democrats and opponents to histrionic responses, which in turn will be written off as hysterical and deranged, while Trump's minions slip by with more subtle but still damaging schemes.

  • Thomas B Edsall: [02-25] The Chaos Agenda Is Going Full Speed Ahead.

  • Brooke Harrington: [02-25] Trump Is Like F.D.R. — Only in Reverse.

  • Ezra Klein: [02-25] A Theory of Media That Explains 15 Years of Politics: Interview with Martin Gurri, author of The Revolt of the Public and the Crisis of Authority in the New Millennium (2014; revised 2018). I'm very sympathetic to the notion that changes in media have a largely unrecognized but profound influence on how people understand public affairs, but my interest waned when I read that he voted for Trump in 2024, and seeing how far he's willing to stretch things to defend Trump. He starts with Trump as the champion of free speech, which is plainly ridiculous. (Pro tip: the guy who wants to be able to sue for libel or defamation is no friend to free speech.) But he does make this point:

    Honestly, the vast majority of Americans want reform, want change. They are not for the institutions. They have no faith in them. So I would say that for the Democratic Party to regain its mojo, what they need is to bring government, this enormous construct, down to the level of the human being. How do you humanize that thing? In some bizarre way, that's what Trump is trying to do without thinking about it very much. But the Democrats aren't even thinking.

    Gurri goes on to explain, "What we have is a revolution," and likens it to FDR and Reagan, admitting "revolutions are messy, and mistakes will be made."

    If you want to have a pessimistic view, this is a remarkably un-self-reflective bunch. They're a bunch of action people -- Musk and even R.F.K. Jr. and certainly Trump. These are people who want to do things. That's not a bad thing, but you need somebody to explain what the hell you're doing. You need to explain, as we were talking about before: What's the end state? Why did you take this step here? Are you doing it because the next step is going to be over there and this is a logical place to be? Or are you just ramming through and tearing up things as you go along? . . .

    That's a great idea -- ruled by digital sociopaths. I think you're right. My take, though, is: There is this colossal transformation going on. We're moving from the industrial age to something that doesn't even have a name yet. We're at a very early stage of this. And the rule of the digital sociopath, hopefully, will be an early stage that we transcend.

    To want to be president of the United States, you're already not a normal human being.

    Last question, Gurri is asked to recommend three books. He rattles off:

    1. Andrey Mir: Postjournalism and the Death of Newspapers: The Media After Trump: Manufacturing Anger and Polarization
    2. Paul Ormerod: Why Most Things Fail
    3. Hugo Mercier: Not Born Yesterday: The Science of Who We Trust and What We Believe: "it's about the question of whether somebody like Donald Trump can talk to you, a fairly liberal human being, and through the magic of his disinformation, suddenly you walk away thinking, 'I will vote for that man.'"

    I'm torn on whether to order Gurri's book (or for that matter, Mir's similar and slightly later, and therefore more Trump-aware one). The others may also be interesting, but I already have a fair grasp of their issues, if not their specific arguments.

  • Cass R Sunstein: [02-26] This Theory Is Behind Trump's Power Grab: This is "the unitary executive theory," by which the presidency becomes a dictatorship.

  • David French: [03-02] Trump Is Doing Real Damage to America.

  • Jamelle Bouie: [03-05] Trump Promised Retribution. Turns Out He Had a Very Big Target in Mind.

Monday, March 03, 2025

Music Week

Expanded blog post, March archive (in progress).

Tweet: Music Week: 20 albums, 3 A-list

Music: Current count 43769 [43749) rated (+20), 38 [46] unrated (-8).


New records reviewed this week:

  • Frank Carlberg: Dream Machine (2023 [2025], Red Piano): [cd]: A-
  • Cumgirl8: The 8th Cumming (2024, 4AD): [sp]: B+(*)
  • Dengue Dengue Dengue!: Agita2 (2024, Club Romantico, EP): [sp]: B+(**)
  • Peter Erskine & the Jam Music Lab All-Stars: Vienna to Hollywood: Impressions of E.W. Korngold & Max Steiner (2024 [2025], Origin): [cd]: B+(*)
  • Flagboy Giz and the Wild Tchoupitoulas: Live From the French Quarter Fest 2023 (2023 [2024], Injun Money): [sp]: B+(**)
  • Andreas Gerth & Carl Oesterheit: Music for Unknown Rituals (2023 [2024], Umor Rex): [sp]: A-
  • Glorygirl2950: Queen of the Land (2024, self-released): [sp]: B+(*)
  • Brad Goode Polytonal Big Band: The Snake Charmer (Origin)
  • Hieroglyphic Being: Quadric Surfaces (2024, Viernulvier): [bc]: B+(***)
  • Erik Jekabson: Breakthrough (2024 [2025], Wide Hive): [cd]: B+(**)
  • Jessica Jones Quartet: Edible Flowers (2020 [2025], Reva): [cd]: B+(***)
  • Jupiter & Okwess: Ekoya (2025, Airfono): [sp]: B+(*)
  • Doug MacDonald: Santa Monica Session (2024 [2025], DMAC Music): [cd]: B+(*)
  • Polyfillas: Rude Boys of England E.P. (2024, self-released, EP): [bc]: B+(*)
  • Praktika: Balani Factory (2023 [2024], Blanc Manioc): [sp]: A-
  • Valknee: Ordinary (2024, TuneCore): [sp]: B+(**)
  • Vincenzo Virgillito: Precondition (2017 [2025], self-released): [cd]: B
  • Jeong Lim Yang: Synchronicity (2023 [2025], Sunnyside): [cd]: B+(***)
  • Adrian Younge & Ali Shaheed Muhammad: Jazz Is Dead 22: Ebo Taylor (2025, Jazz Is Dead): [sp]: B+(*)
  • ZA!/Tomás De Perrate: Jolifanto (2024, Lovemonk): [sp]: B+(**)

Recent reissues, compilations, and vault discoveries:

  • None

Old music:

  • Andreas Gerth & Carl Oesterhelt: The Aporias of Futurism (2021, Umor Rex): [sp]: B+(*)


Unpacking: I have a half-dozen still-unopened packages on my desk. Check back next week.

Sunday, March 02, 2025

Daily Log

Shortly after breakfast, I threw this tweet out there:

Starting to reimagine my "Weird" book idea as a three-act play, one act for each Trump campaign, starting out as farce and ending up as tragedy, with more corpses on stage at the end than "Hamlet." Meanwhile, reading Hobsbawm on Berlin 1932.

I probably should have followed up on Bluesky, but I have very few followers there, and haven't really gotten into what I imagine my strategy there to be, which is to start plugging articles of interest, which would in a small manner revive the suspended Speaking of Which. For now, I'm still inclined to take things very easy. After pretty dramatic improvement in left eye the day after surgery, I have little subsequent progress to report. The left eye is still blurrier than the right eye. The color shift is less pronounced than when I first uncovered the eye, which makes me think it was still pretty dilated. It's surely worn off by now -- I didn't notice at the time, but there's no obvious dilation now -- but it's still notable when I go from eye to eye. Still bits of flashing around the edges. I got a new shield with an elastic strap, which is nicer than having to tape the old shield in place.


Trying to think up something to watch next, I started a TV Shows List.

Saturday, March 01, 2025

Daily Log

I had cataract surgery on my left eye on Thursday, Feb. 27. We had to get up early and drive far east (past Webb, off 13th N) for the 11AM appointment. They did some further testing: photos of both eyes with bright green light, which took many attempts before they got something satisfactory. They had me sign a bunch of forms where I agreed to hold them utterly blameless for whatever horrors they might inflict on me. While I don't doubt that there is some value in some of that, I'd like to see a law that says that no contract is enforceable unless it has been negotiated through lawyers, of which at least one is committed to defend whoever has to sign and has the power to veto anything that doesn't meet some standards of fairness and propriety. (This would include every "click-through" license ever, where rejection or amendment hardly seems an option.)

They then went to work on me. I laid down on a gurney, with my knees raised and head tilted up. I was plumbed for an IV, and hooked up to a blood pressure cuff and oximeter, and possibly other wires. I was given eyedrops to numb and dilate my eye. The doctor came in and put marks on what felt like my eye to help him align the toric lens, which is supposed to correct astigmatism. The anesthetist checked my vital signs, and talked a bit about what she was going to do. They administered some kind of tranquilizer through the IV, which didn't knock me out of make me loopy, but supposedly calmed me down. She also talked about an injection to block the nerves -- not sure which, but evidently bruising around the eye is a common side-effect, as the needle goes in "blindly" and could hit a blood vessel -- but I don't recall seeing, much less feeling, a needle. When I came to later, I saw marks on my forehead, but not on my eyelid, so that was probably the doctor's marks.

They wheeled me into surgery, and worked fairly quickly. I had asked the doctor to annotate what he was doing, but he said very little, so I had little direction or notion what was going on. Before long, they covered up my right eye. All I could see out of the left was bright white light, with black splotches. He may have mentioned inserting the new lens. They finally put two strips of very sticky tape in an X-pattern over the eye. When I looked at it later, I was surprised to find how much loose skin from the eyelid they had pulled into and over the eye.

I was told to leave the tape on for at least six hours. They wheeled me past the prep/recovery area, all the way to the door, where Laura had brought the car around. I got off the gurney, somehow put my shoes and coat on, and stumbled to the car, for the long ride home. I put my glasses on, including the clip-on for darkening. I was surprised to find I could see well enough from my right eye that I could imagine driving home. But the ride didn't bother me -- evidently I still had enough of the tranquilizer working.

I was pretty out of sorts for the rest of the day. I played an Art Tatum/Ben Webster CD that I've always found remarkably calming. I checked email, but spent little time on the computer, or doing much of anything else. I mostly sat at the jigsaw puzzle, putting a piece in now and then. I had just started reading Eric Hobsbawm's Interesting Times, so I may have read a bit of that. About the only thing I felt like doing was eating, so I snacked a lot: potato chips and baba gannouj, vanilla pudding, a frozen Stouffers for dinner. I thought about TV, but I don't recall actually watching any. I had a tiny bit of headache, and more exhaustion. Finally, about 7 o'clock, about the time I could have taken the tape off, I went upstairs instead, turned on Coleman Hawkins, read a couple pages, put on the CPAP mask, and took a nap.

I woke up two hours later. I peeled the tape off, surprised at how intensely it clung to the loose and dissheveled skin of my eyelids. I closed my right eye, and the left was extremely blurry, but rather bright. I closed my left, and the right was unchanged, so was usable, and I could see well enough for practical purposes. When I looked at the computer, I noticed that the dark blue of my Mahjongg game was bright blue through my left eye, and the yellow tinge of the tiles turned bright white. Laura had rented a couple Oscar-bait movies, but decided it was too late, so we watched Father Brown instead. I worked on the puzzle a bit after that, then did my eye drops, went upstairs, read a bit, taped the eye guard into place, and tried to sleep. I spent a couple hours without really dozing off. I visited the bathroom, noting that the tape obscured my left eye vision even worse than the blurriness, and again tried to sleep.

I woke up from one of those tedious, repetitive dreams that at least I could recognize as the work of the subconscious brain, an hour or less before the alarm was set to go off. We had to return to the clinic for the 11:30 post-op exam. I got up, had breakfast, and read a bit. Laura drove, although by this point the left eye was much less blurred. I imagined that I could drive. At the exam, preliminary tests suggested that my left eye had already improved from 20/80 to 20/50. The black eye, splitting headaches, etc., that I had been warned of hadn't materialized. I had a bit of flashing to the far left, especially when there was extra light that way, but that was dismissed as normal. I asked about driving, and he said I was clear to drive if I felt like it. I did, and drove home.

One bit of confusion was the scheduling. Doctor told me he wanted to see me in 2-3 weeks for a follow-up. When I got to the receptionist, she initially offered me an appointment in one week. When I asked for something downtown, that got pushed back to one month. She seemed to be under the impression that the purpose of the follow-up was to measure for the right eye, not to examine the post-surgery left. When she offered a late March date for East, I accepted the April date for Downtown, but left confused. I figured I could wait until Monday to try to get hold of someone who knows something. At this point it seems like I should move on to the right eye as soon as the left settles down. I'm supposed to do the eye drops and wear the nighttime eye guard for a week, and continue the steroid drops until I run out (three weeks?).

I can't say that the left eye is much better this morning than it was after the exam yesterday. It's still somewhat blurry, and somewhat bothered. But I spent most of Friday watching TV, which included Laura's two movies, plus episodes 5-8 of Feud: Capote & the Swans. I figure it will be more TV today, but thought I'd start the day with this note, while listening to a work CD -- something I've neglected the last couple days.

Wednesday, February 26, 2025

Music Week

I added a new section to Monday's Music Week post.

Monday, February 24, 2025

Music Week

Expanded blog post, February archive (closed).

Tweet: Music Week: 49 albums, 3 A-list

Music: Current count 43749 [43700) rated (+49), 46 [44] unrated (+2).


New records reviewed this week:

  • Ab-Soul: Soul Burger (2024, Top Dawg): [sp]: B+(***)
  • Beatenberg: The Great Fire of Beatenberg (2024, Leafy Outlook): [sp]: B+(***)
  • BigXthaPlug: Take Care (2024, United Masters): [sp]: B+(**)
  • Fashion Club: A Love You Cannot Shake (2024, Felte): [sp]: B+(**)
  • Foxing: Foxing (2024, Grand Paradise): [sp]: C+
  • Friko: Where We've Been, Where We Go From Here (2024, ATO): [sp]: B+(*)
  • David Gilmour: Luck and Strange (2024, Sony): [sp]: B
  • Girl Ultra: Blush (2024, Big Dada, EP): [sp]: B+(*)
  • Groovology: Almost Home (2024 [2025], Sugartown): [cd]: B
  • Muriel Grossmann: The Light of the Mind (2024, RR Gems): [sp]: B+(***)
  • Tim Heidecker: Slipping Away (2024, Bloodshot): [sp]: B
  • Eugenie Jones: Eugenie (2024 [2025], Open Mic): [cd]: B+(**)
  • Justice: Hyperdrama (2024, Ed Banger/Because Music): [sp]: B
  • Jerry Kalaf: Safe Travels (2024, self-released): [cd]: B
  • Kehlani: Crash (2024, Atlantic): [sp]: B+(**)
  • Kehlani: While We Wait 2 (2024, Atlantic): [sp]: B+(**)
  • Khruangbin: A La Sala (2024, Dead Oceans): [sp]: B+(**)
  • Ravyn Lenae: Bird's Eye (2024, Atlantic): [sp]: B+(**)
  • Los Campesinos!: All Hell (2024, Heart Swells): [sp]: B+(*)
  • Nobro: Set Your Pussy Free (2023, Dine Alone): [sp]: A-
  • Nobro: Live Your Truth Shred Some Gnar (2021 [2022], Dine Alone): [sp]: B+(**)
  • Nobro: Sick Hustle (2020, Dine Alone, EP): [sp]: B+(*)
  • NxWorries: Why Lawd? (2024, Stones Throw): [sp]: B+(***)
  • Noel Okimoto: Hō'ihi (2024 [2025], Noel Okimoto Music): [cd]: B
  • Pearl Jam: Dark Matter (2024, Republic): [sp]: B+(**)
  • Benjie Porecki: All That Matters (2024 [2025], Funklove Productions): [cd]: B+(**)
  • Shellac: To All Trains (2017-22 [2024], Touch and Go): [sp]: B+(*)
  • Jae Sinnett: The Blur the Lines Project (2024 [2025], J-Nett Music): [cd]: B+(*)
  • Steve Smith and Vital Information: New Perspective (2024 [2025], Drum Legacy): [cd]: B
  • Dave Stryker: Stryker With Strings Goes to the Movies (2024 [2025], Strikezone): [cd]: B-
  • Rose Tang & Patrick Golden: A White Horse Is Not a Horse (2024, ESP-Disk'): [cd]: B+(***)
  • Leon Thomas: Mutt (2024, EZMNY/Motown): [sp]: B+(**)
  • Richard Thompson: Ship to Shore (2024, New West): [sp]: B+(**)

Recent reissues, compilations, and vault discoveries:

Old music:

  • Louis Armstrong: Satchmo Sings (1955, Decca): [sp]: A-
  • Louis Armstrong: Louis and the Angels (1957 [2001], Verve): [sp]: B-
  • Louis Armstrong: Satchmo Plays King Oliver (1959 [1960], Audio Fidelity): [r]: B+(***)
  • Louis Armstrong & the All-Stars: Satchmo Plays King Oliver (1959 [2000], Fuel 2000/Varèse Sarabande): [sp]: B+(**)
  • Louis Armstrong/Dukes of Dixieland: Louie and the Dukes of Dixieland (1960, Audio Fidelity): [r]: B
  • Louis Armstrong & Duke Ellington: The Great Summit: Complete Sessions (1961 [2000], Roulette, 2CD): [sp]: B+(**)
  • Louis Armstrong: Let's Do It: Best of the Verve Years (1957-65 [1995], Verve, 2CD): [r]: B+(*)
  • Louis Armstrong: Disney Songs the Satchmo Way (1968 [1996], Walt Disney): [sp]: B+(***)
  • Ella Fitzgerald: Ella Loves Cole (1972, Atlantic): [sp]: B+(***)
  • Ella Fitzgerald: Dream Dancing: Ella Fitzgerald & Cole Porter (1972-78 [1978], Pablo): [sp]: A-
  • Ella Fitzgerald/Joe Pass: Take Love Easy (1973 [1974], Pablo): [sp]: B+(**)
  • Ella Fitzgerald: "Fine and Mellow" (1974 [1979], Pablo): [sp]: B+(***)
  • Ella Fitzgerald: Ella Fitzgerald at the Montreux Jazz Festival 1975 (1975 [1993], Pablo/OJC): [r]: B+(**)
  • Ella Fitzgerald/Joe Pass: Fitzgerald and Pass . . . Again (1976, Pablo): [r]: B+(*)
  • Ella Fitzgerald With the Tommy Flanagan Trio: Montreux '77 (1977 [1989], Pablo/OJC): [sp]: B+(**)
  • Ella Fitzgerald: Lady Time (1978, Pablo): [sp]: B+(***)


Unpacking: Found in the mail last week:

  • Ludovica Bertone: Migration Tales (Endectomorph Music) [04-18]
  • Frank Carlberg: Dream Machine (Red Piano) [02-21]
  • Daniel Garbin: Rising (6x20) [03-10]
  • Rodney Jordan: Memphis Blue (Baxter Music) [03-14]
  • Steve Lehman Trio + Mark Turner: The Music of Anthony Braxton (Pi) [02-28]
  • Tobias Meinhart: Sonic River (Sonic River) [04-18]
  • Patricio Morales: La Tierra Canta (Northsound) [04-01]
  • Isabelle Olivier: Impressions (Rewound Echoes) [03-21]
  • Mitch Towne: Refuge (Cross Towne) [04-04]
  • Simón Willson: Bet: Live at Ornithology (Endectomorph Music) [02-28]
  • Jeong Lim Yang: Synchronicity (Sunnyside) [01-31]

Thursday, February 20, 2025

Daily Log

Picked up a few more names to follow on Bluesky (starting with Robert Christgau's followees): Michael Hull, Kevin M. Kruse, Stephen Piccarella, Ann Powers, Joe Levy. Most of the other names I recognize, some I might consider following (Ari Berman, Carl Wilson, Craig Jenkins, Nona Willis Aronowitz, Will Hermes, Eric Weisbard). TPM might be worthwhile, as it's free advertising for them, unlike their paywalled website. I was at 6 following, with 12 followers. I haven't posted anything since the Music Week plug. Looking at Christgau's 2018 followers now. Added: Jeffrey D. Callahan, Scott Lemieux, Bret Saunders, Brad Luen, Michaelangelo Matos, Chris Monsen, Alfred Soto, Tom Lane, B. Burton. Most people in list don't have clearly identifiable names. The people I added are mostly music writers -- as are many of the people I recognized but skipped over, as I don't really want to load up on music right now.

Monday, February 17, 2025

Music Week

Expanded blog post, February archive (in progress).

Tweet: Music Week: 58 albums, 17 A-list

Music: Current count 43700 [43642) rated (+58), 44 [30] unrated (+14).


New records reviewed this week:

  • Kasey Chambers: Backbone (2024, Metropolitan Groove Merchants/Essence Music Group): [sp]: B+(**)
  • Jax: Dear Joe, (2024, Atlantic): [sp]: A-
  • Ella Langley: Hungover (2024, Sawgod/Columbia): [sp]: B+(**)

Recent reissues, compilations, and vault discoveries:

  • Amadou & Mariam: La Vie Est Belle (1998-2022, Because Music): [sp]: A-

Old music:

  • Amadou & Mariam: La Confusion (2017, Because Music): [sp]: B+(***)
  • Louis Armstrong: What a Wonderful World (1967 [1988], MCA): [r]: A-
  • Louis Armstrong: Rhythm Saved the World [The Original Decca Recordings: Volume 1] (1935-36 [1991], Decca): [sp]: B+(***)
  • Louis Armstrong & His Orchestra: Heart Full of Rhythm [The Original Decca Recordings: Volume 2] (1936-38 [1993], MCA): [sp]: A-
  • Louis Armstrong & His Orchestra: Vol. III: Pocketful of Dreams (1935-38 [1995], Decca Jazz): [sp]: A-
  • Louis Armstrong: The Complete Town Hall Concert 1947 (1947 [2004], Fresh Sound): [r]: A-
  • Louis Armstrong: The Best Live Concert (1965 [1976], Disques Festival): [sp]: A-
  • Louis Armstrong: The Best Live Concert Vol. 1 [Jazz in Paris] (1965 [2000], EmArcy/Gitanes Jazz): [sp]: B+(***)
  • Louis Armstrong: The Best Live Concert Vol. 2 [Jazz in Paris] (1965 [2000], EmArcy/Gitanes Jazz): [sp]: B+(***)
  • Louis Armstrong and Friends [Jazz in Paris] (1933-39 [2001], Gitanes Jazz/EmArcy): [sp]: B+(***)
  • Louis Armstrong: The Complete Hot Five and Hot Seven Recordings (1925-29 [2000], Columbia/Legacy, 4CD): [sp]: A
  • Louis Armstrong: The Best of the Hot Five and Hot Seven Recordings (1926-28 [2000], Columbia/Legacy): [sp]: A
  • Digonek Street Band: Primal Economics (2018, Accurate): [sp]: B+(***)
  • Ella Fitzgerald & Louis Armstrong: Ella & Louis (1956-57 [2021], Ober Enterprises/20th Century Masterworks): [sp]: A-
  • Ella Fitzgerald/Louis Armstrong: The Complete Ella Fitzgerald & Louis Armstrong on Verve (1956-57 [1997], Verve, 3CD):
  • Ella Fitzgerald: Ella Fitzgerald Sings the Cole Porter Songbook (1956 [1997], Verve, 2CD): [cd]: A-
  • Ella Fitzgerald: Ella Fitzgerald Sings the Rodgers and Hart Song Book (1956 [1997], Verve, 2CD): [cd]: B+(***)
  • Ella Fitzgerald With Duke Ellington and His Orchestra: Ella Fitzgerald Sings the Duke Ellington Song Book (1957 [1999], Verve, 3CD): [cd]: B+(**)
  • Ella Fitzgerald: Ella Fitzgerald Sings the Irving Berlin Song Book (1958 [2000], Verve, 2CD): [cd]: A-
  • Ella Fitzgerald: Ella Fitzgerald Sings the George and Ira Gershwin Song Books (1959 [1998], Verve, 4CD): [cd]: B+(***)
  • Ella Fitzgerald: The Very Best of the Gershwin Song Book (1959 [2007], Verve): [sp]: A-
  • Ella Fitzgerald: Ella Fitzgerald Sings the Harold Arlen Song Book (1960-61 [1993], Verve, 2CD): [cd]: A
  • Ella Fitzgerald: Ella Fitzgerald Sings the Jerome Kern Song Book (1963 [2005], Verve): [cd]: [was: B+] B+(**)
  • Ella Fitzgerald: Ella Fitzgerald Sings the Johnny Mercer Song Book (1964 [1997], Verve): [cd]: B+(***)
  • Ella Fitzgerald: Like Someone in Love (1957, Verve): [sp]: B+(**)
  • Ella Fitzgerald: Ella Fitzgerald at the Opera House (1957 [1986], Verve): [sp]: A-
  • Ella Fitzgerald: Ella in Rome: The Birthday Concert (1958 [1988], Verve): [sp]: A-
  • Ella Fitzgerald: Get Happy! (1957-59 [1989], Verve): [sp]: A-
  • Ella Fitzgerald: Ella Fitzgerald Sings Sweet Songs for Swingers (1958-59 [1959], Verve): [sp]: B+(***)
  • Ella Fitzgerald: Hello, Love (1957-59 [2004], Verve): [sp]: B+(*)
  • Ella Fitzgerald: Ella Wishes You a Swinging Christmas (1959-60 [2002], Verve): [sp]: B+(*)
  • Ella Fitzgerald: Clap Hands, Here Comes Charlie (1961 [1989], Verve): [sp]: B+(***)
  • Ella Fitzgerald: Ella Swings Gently With Nelson (1961-62 [1993], Verve): [sp]: B+(**)
  • Ella Fitzgerald: Rhythm Is Our Business (1962 [1999], Verve): [sp]: B+(***)
  • Ella Fitzgerald: Ella Sings Broadway (1962 [2001], Verve): [sp]: B+(***)
  • Ella Fitzgerald/Count Basie: Ella and Basie! (1963 [1997], Verve): [sp]: B+(**)
  • Ella Fitzgerald: These Are the Blues (1963, Verve): [sp]: B+(***)
  • Ella Fitzgerald: Hello, Dolly! (1963 [2005], Verve): [sp]: B+(**)
  • Ella Fitzgerald: Ella in Japan: 'S Wonderful (1964 [2011], Verve, 2CD): [sp]: B+(***)
  • Ella Fitzgerald: Whisper Not (1966 [2002], Verve): [sp]: B+(**)
  • Ella Fitzgerald: Brighten the Corner (1967, Capitol): [sp]: B+(*)
  • Ella Fitzgerald: Ella Fitzgerald's Christmas (1967, Capitol): [r]: B-
  • Ella Fitzgerald: Misty Blue (1967 [1968], Capitol): [sp]: B
  • Ella Fitzgerald: 30 by Ella (1968 [2000], Capitol): [sp]: B+(*)
  • ELla Fitzgerald: Sunshine of Your Love (1968 [1969], MPS): [sp]: B+(*)
  • Ella Fitzgerald: Ella (1969, Reprise): [sp]: B+(*)
  • Ella Fitzgerald: Things Ain't What They Used to Be (And You Better Believe It) (1969 [1970], Reprise): [sp]: B+(***)
  • Ella Fitzgerald: Ella Fitzgerald in Budapest (1970 [1999], Pablo): [sp]: B+(***)
  • Ella Fitzgerald: Ella à Nice (1971 [1982], Pablo): [sp]: B+(***)
  • Ella Fitzgerald/Count Basie/Oscar Peterson/Stan Getz/Roy Eldridge/Eddie Lockjaw Davis/Ray Brown/Harry Edison/Al Grey/Tommy Flanagan/Ed Thigpen/Keeter Betts: Jazz at the Santa Monica Civic '72 (1972 [1991], Pablo, 3CD): [sp]: B+(***)
  • Ella Fitzgerald: Live in London (1974, Pablo): [sp]: B+(**)
  • Greta Keller: Greta Keller Sings Kurt Weill (1953, Atlantic): [sp]: B+(***)
  • Ella Mae Morse: Capitol Collectors Series (1942-57 [1992], Capitol): [sp]: B+(**)
  • Bobby Vee: Legendary Masters (1959-68 [1973], United Artists): [r]: B


Grade (or other) changes:

  • The Brill Building Sound (1957-67 [19993], ERA, 4CD): [cd]: [was: A-]: A
  • Nuggets: Original Artyfacts From the First Psychedelic Era 91965-68 [1998], Rhino, 4CD): [cd]: [was: B+]: B+(***)

Rechecked with no grade change:

  • Swamp Dogg: Blackgrass: From West Virginia to 125th St (2024, Oh Boy): [sp]: B+(***)


Unpacking: Found in the mail last week:

  • Steve Allee Big Band: Naptown Sound (Jazzville) [03-15]
  • Deepstaria Enigmatica: The Eternal Now Is the Heart of a New Tomorrow (ESP-Disk) [02-25]
  • Sylvie Courvoisier/Mary Halvorson: Bone Bells (Pyroclastic) [03-25]
  • Ensemble C: Every Journey (Adhyâropa) [03-08]
  • Jonah David: Waltz for Eli (Swish Tap) [02-28]
  • Satoko Fujii Tokyo Trio: Dream a Dream (Libra) [02-28]
  • The Haas Company Featuring Samuel Hällkvist: Vol. 3: Song for Mimi (Psychiatric) [05-01]
  • Jon Irabagon: Server Farm (Irabbagast) [02-21]
  • Ben Markley: Tell the Truth (OA2) [02-28]
  • Gina Saputo: Daydream (GSJQ Productions) [04-18]
  • Jim Snidero: Bird Feathers (Savant) [02-21]
  • Rose Tang & Patrick Golden: A White Horse Is Not a Horse (ESP-Disk') [12-20]
  • Rodney Whitaker: Mosaic: The Music of Gregg Hill (Origin) [02-28]
  • Clay Wulbrecht: The Clockmaster (Instru Dash Mental) [05-02]

 

Friday, February 14, 2025

Daily Log

On X, Nathan Robinson Christopher Rufo, saying:

The libs truly do not know what's coming. It's imperative that Trump, Musk, and the administration keep up the relentless pace. Every action creates permission for greater action in the future.

I commented:

Two big differences between FDR and Dems today is that the former named enemies and insisted on acting fast. FDR saved banking in a week. 100 days is a cliche because his were real. ACA only appeared after allt he lobbies signed off, and didn't take effect for 3 years . . .

Obviously, I could have gone way past their character limit. Next up was going to be Rove's "we're an empire, and when we act" boast, deprecating the "reality-based" community. We ridiculed him at the time, but now we're finally seeing his game plan in action.

Before I made that comment, I also posted:

FYI, I've been blocked from Facebook, and they've vowed to permanently delete my account. I don't know why, but I hadn't posted anything other than a matter-of-fact comment on server shopping in over a week. It did, however, happen right after I opened a blue sky account.

I was jumpy enough I didn't dare link to the Bluesky account. I also made a comment on the next tweet I saw, by Pelham:

Can someone explain why Adolf Hitler who tried to ethnically cleanse an entire population was a bad guy.... and Netanyahu/Trump who try to ethnically cleanse an entire population are good guys?

My comment:

Who says they're "good guys"? They don't. They've spent all their careers trying to prove how bad they are. That's a big part of their appeal. They see themselves as different from Hitler, because Hitler failed and led to ruin, but they haven't done that yet, so they're cool.

Ran out of characters at the end, as I was originally thinking, "so they're still good. Er, bad!" That particular post already had 2K replies, so I didn't look at any of them.

Further down the X rathole, there's a link to a Wall St. Journal articlle by Sadanand Dhume [02-12] called "If Indians and Pakistanis Can Relocate, Why Can't Gazans?" Subtitle: "Population transfers aren't a Trump innovation. There are plenty of examples from the 20th century." I mean sure, mostly involving Hitler, Stalin, or Churchill, with a secondary tier of Mao, Enver, and Ben-Gurion. That's pretty rarefied company for Trump to aspire for. Granted, the partition and subsequent wars in India, Ireland, and Palestine occurred after Churchill left office, but he did more than anyone to set the tables. Among 20th century monsters, he clearly belongs in the top tier. Further down the feed, Rick Perlstein commented on Dhume's article (making an obvious point):

American right-wingers will probe and probe the boundaries of the possible, and if you dont' think they'll arrive soon at Nazi territory, you are naive.

Alan MacLeod also commented (making another obvious point) on Dhume's article:

More than 1 million people were killed in the India/Pakistan partition this ghoul is holding up as a model for Gaza.

MacLeod also linked to a piece he wrote [02-10]: The Pentagon is recruiting Elon Musk to help them win a nuclear war.

Nathan J Robinson asks: "is the Trump administration really going with 'if the government declares something to be a fact, then it thereby becomes a fact'"? Of course they are. They've proven that all it takes to spout a "truth" is an account on Trump's "Truth Social." Pretty soon he's going to start suing anyone who disagrees with him of violating his intellectual property.

Tweet from Jesse Brenneman:

America is finally being run like a business: a business acquired by private equity that's being stripped for parts before being liquidated.

Thursday, February 13, 2025

Daily Log

Got up this morning with a brainstorm of worries over the server change: nothing with the new server, but wondering what kind of havoc the old server might still wreak. For instance, is it still sending out admin emails? And what will I have to do to stop payment if/when they bill me for another month? I received notice a few days back that they'd bill me on Feb. 13. They offered a phone number to update information, an email address to write to, and a web page which has a contact form. I used all three of those to tell them that we're done, and not to bill me anymore. The phone number went to an answering machine. The email bounced (as did letters to two other previously functional accounts. The web form accepted my input, but didn't echo or confirm it (evne though I provided an email address). So they're hiding. Not a good sign.

When I got up, I hadn't received notice that they had billed me. Twelve hours later, still no notice, so they seem to have gotten the message and honored it. No courtesy of an email, but that's ok. First thing I did this morning was to delete all of my old server admin email -- several thousand messages I never got around to reading, not least because there was damn little I could do about them without any support from the vendor or from cPanel. I hadn't had Thunderbird running the last couple days, so the latest message it picked up was a couple days ago, When I ran it, there were no new ones. (Usually, when I restart it there are a couple hundred messages to download.) Hours later, still no new email. I sent test messages to my two POP accounts, and Thunderbird fetched them both, so the accounts have migrated to the new server. At this point, I'm not receiving any WHM email, which probably means that it's being directed to the mailbox on the new server. I need to look into that, but for today at least, I'm enjoying the peace and quiet. Everything appears to be working on the server, and while I haven't looked at much there, I haven't received any complaints from my clients.

One thing I have thought about doing is to create a Bluesky account. I took initial steps to doing that tonight. I have 0 followers, 1 following (@bsky.app), and 2 posts. I opened up a subscriptions planning file, which has details, as well as comments on other social media. While their suggestions weren't very useful, I did manage to add a couple names to follow (Robert Christgau, Astra Taylor), so I'm getting some stuff in my feed.

I also got my Facebook account blocked, about as rudely as possible. It complained about violating their social standards -- which I figured don't amount to much now that they've restored Trump -- but didn't explain what or how. The threat not only blocked me: it went further and promised to delete my account after a short period. When I clicked to appeal my execution, the only thing they wanted from me was for me to turn my camera on so they could look at me (or my office or what books I have on my shelf?). There wasn't even an option to explain that I don't have a camera. Finally, I went to another machine, logged in, and got the same block message. I uploaded a video, which they can now take days or weeks to review. They did allow me to download my data, so I did that.

Monday, February 10, 2025

Daily Log

I posted this to Facebook's Expert Witness group:

No Music Week today, or probably this week, or maybe forever if I can't figure out this server mess. I did manage to send off 10-12 letters last week looking for proposals, but each of them came back raising various doubts. So until I settle on something, or just give up and pull the plug, everything else is on hold. Anyhow, I have nothing to report: I haven't listened to a single piece of new music this past week -- although I have been killing time with old music from Louis Armstrong and/or Ella Fitzgerald. here's Armstrong's "hillbilly number" (a standout in what's probably his best album): YouTube link to "Don't Fence Me In," from The California Concerts.

I also added a comment:

Of course, we all know that the "hillbilly" was actually Cole Porter, and that eh song was a huge hit for Armstrong's "fishing buddy" Bing Crosby. And being a Porter song, it also got more reverential treatment from Ella Fitzgerald: YouTube link to version in The Complete Ella Fitzgerald Song Books.

Sunday, February 09, 2025

Daily Log

Note to self: revisit Hobsbawm pp. 306-308.

Saturday, February 08, 2025

Daily Log

Woke up thinking about the "weird" book, coming up with some general principles that I wanted to jot down while they were fresh in mind:

  • Start from several assumptions that are merely asserted, as they would take a different book to argue fully. The first is that the Trump election of 2024 was a disaster, and will eventually be recognized as such. Trump is a fraud, but that is only one aspect of his more general horribleness (perhaps not the choice word, but one that will do for here; criminality is broader than fraud, but still doesn't exhaust his full range of horribleness). Aspects of his horribleness will of course be mentioned, but we will assume that our readers are people who already hate (another less than choice word for a range of emotions and intuitions that include disgust, disturb, enrage, ridicule, and befuddle) Trump and/or all he stands for, so they need no persuasion. (People who do need a different book, and someone should write one, but that would be a distraction and disservice here.)

  • We need to define conservative and liberal not as political philosophies -- something they are arbitrarily incompetent at -- but as psychological profiles, which we all share in various ways and degrees. While we're at it, let's dispose of "progressive" as an ill-considered attempt to rebrand liberal. One might note that conservatism as proven far more durable as it's always willing to adapt to support whoever's on top, be they monarchs, aristocrats, slave plantation owners, factory owners, or financiers and their spiritual kin, grifters. Liberals, on the other hand, get tripped up by their insistence on timeless principles, especially their reluctance to extend their benefits to others.

  • For political movements, the best terms seem to be the relatively value-neutral left and right. The left seeks to extend the benefits of political action to everyone. The best word for the political structure the left seeks is democracy. The right, on the other hand, seeks to limit political benefits to its own beneficiaries, starting with its donor class of the super-rich, and to keep everyone else under control, by ideological means (including religion) if possible, but failing that with force. As such, the right seeks to seize and consolidate power. While the right can imagine its foes plotting the same, the left more generally seeks to counteract and dissolve power. (Examples can follow here.)

  • While the left may see democracy as a timeless (and utopian) ideal, there is no single timeless term for what the right seeks. While they may idealize a single omnipotent ruler -- think of how they think of God, or such lesser approximations as kings and/or dictators (where Hitler unavoidably holds pride of place) -- we need to find a word that conveys how they conceive of their rule: autocracy, plutocracy, oligarchy, kleptocracy, and kakistocracy all get to some part of this without quite being right. I'm not sure that any of these are better than fascism, although one of the initial points of the book is that we should dispense with the term because it's confusing and distracting beyond the few people -- mostly on our side, plus a tiny sliver on the other side who are beyond redemption -- who actually understand it.


   Mar 2001